无数的认知方式:以解放教育学的实践审视框架之外的图像

IF 0.2 4区 艺术学 N/A ART Photography and Culture Pub Date : 2022-01-02 DOI:10.1080/17514517.2022.2057089
B. Asante
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引用次数: 0

摘要

在蛇形画廊举办的“一系列完全不可能,但非凡的演绎”展览中,我应邀为教育工作者举办了一个研讨会,探讨反种族主义的教学实践。我借鉴了Jafa展览的档案性质,该展览由来自历史和家庭照片的黑人社会生活图像,摄影师捕捉的图像以及来自Instagram和YouTube等来源的当代图像组成,提出了一种混合磁带方法。我让大家思考:为什么黑人的命很重要?作为教育工作者,我们如何开发话语和创造性的机会来支持理解为什么黑人的生命很重要?这其中的关键是发展无数种认识和理解的方式,通过与超越表象的图像合作,发展超越任何单一图像框架的叙事,创造联系,探索理解和思考种族、种族主义的其他可能方式,以及图像作为一种解放可能性的作用。
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Countless Ways of Knowing: Looking at Images beyond the Frame as a Practice of Liberatory Pedagogy
exhibition A Series of Utterly Improbable, Yet Extraordinary Renditions at the Serpentine Gallery, I was invited to develop a workshop for educators exploring anti-racist pedagogic practi-ces. I drew on the archival nature of Jafa ’ s exhibition made up of images of black social life from historic and family photographs, images captured by photographers and contemporary images drawn from sources such as Instagram and YouTube to propose a mixtape methodology. I asked the group to consider: Why Black Lives Matter? How do we as educators develop discursive and creative opportunities to support the understanding of why Black Lives Matter? Key to this was the idea of developing Countless Ways of Knowing 1 and understanding, through working with images beyond representation, to develop narratives beyond the frame of any single image creating connections to explore other possible ways of understanding and thinking about race, racism, and the role of images as an emancipatory possibility.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
22
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