Jonathan Leaman: In Conversation

IF 0.2 0 ART Images Pub Date : 2020-11-11 DOI:10.1163/18718000-12340130
Batsheva Goldman-Ida
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引用次数: 0

摘要

乔纳森·莱曼(生于1954年,伦敦)是一位英国画家,现收藏于泰特美术馆。这篇文章是他与艺术史学家兼博物馆馆长巴特谢娃·戈德曼·艾达15年通信的结果,重点关注这位艺术家过去20年的一组作品。Leaman对卡巴拉主要学术的熟悉,加上他对诗歌和哲学的广泛了解,使他能够以现代学术中无与伦比的散漫方式参与与卡巴拉和艺术有关的概念。这篇文章展示了利曼的评论和源材料,以利于读者。利曼是当代神秘艺术领域最重要的艺术家之一。他早就应该向公众介绍了。他的画是通过艺术家自己的自我意识过滤出来的经过深思熟虑的材料的真实、创造性的表达。利曼对接受性、实体化和具体化的浓厚兴趣与戈德曼·艾达对客体历史和语言神秘主义的兴趣,以及哈西德派和卡巴利派的关键概念,如通过物质的崇拜、神圣的收缩和矫正,是并列的。
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Jonathan Leaman: In Conversation
Jonathan Leaman (b. 1954, London) is a British painter who is represented in the Tate Collection. This article, the result of 15 years of his correspondence with art historian and museum curator Batsheva Goldman-Ida, focuses on a group of works by the artist from the last two decades. Leaman’s familiarity with major Kabbalah scholarship, combined with his wide knowledge of poetry and philosophy, enable him to engage in concepts related to Kabbalah and art in a discursive manner that is unparalleled in modern scholarship. This article showcases Leaman’s remarks with source material for the benefit of the reader. Leaman is one of the most important contemporary artists in the area of mystical art. His introduction to the public is long overdue. His paintings are an authentic, creative expression of the considered material filtered through the artist’s own self-awareness. Leaman’s keen interest in haecceity, hypostatization, and reification is juxtaposed with Goldman-Ida’s interest in object history and linguistic mysticism, and with key Hasidic and kabbalistic concepts such as worship through corporeality, divine contraction, and rectification.
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来源期刊
Images
Images ART-
CiteScore
0.10
自引率
0.00%
发文量
11
期刊介绍: The study of Jewish art and visual culture, which has been cultivated for over a century in European, American and Israeli institutions, has burgeoned in the last fifteen years. Major universities have established graduate programs that integrate Jewish art and visual studies and Jewish museums dot the landscape in Israel, Europe and North America. Contemporary scholarship on Jewish art and visual culture intersects with concerns of the wider academy; a lively interchange among scholars has ensued. The field has now achieved the breadth and maturity to sustain an international journal that represents the interests of this interdisciplinary community of scholars.
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