Késia Mendes Barbosa Oliveira, Keyla Andrea Santiago Oliveira
{"title":"艺术、人的形成与审美经验:批判理论下的(转化)形成力量","authors":"Késia Mendes Barbosa Oliveira, Keyla Andrea Santiago Oliveira","doi":"10.5747/ch.2022.v19.h531","DOIUrl":null,"url":null,"abstract":"This review article aims to think about the relationships between Art, human formation and aesthetic experience, having as a reference the Critical Theory of society and its conceptual contributions about the powers of transformation and human and social formation. The theorists who support this analysis are Herbert Marcuse, Theodor W. Adorno and Walter Benjamin. To these authors, Art is conceived in its autonomy and transcendence, having in the aesthetic experience its space of constitution of the human, of otherness and desire for freedom. The dialogue with these works allowed us to understand the (trans)forming powers that constitute the relationship between Art, human formation and aesthetic experience insofar as they fight reification, by making people speak, dance, sing and contemplate.","PeriodicalId":33252,"journal":{"name":"Colloquium Humanarum","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ARTE, FORMAÇÃO HUMANA E EXPERIÊNCIA ESTÉTICA: POTÊNCIAS (TRANS) FORMADORAS À LUZ DA TEORIA CRÍTICA\",\"authors\":\"Késia Mendes Barbosa Oliveira, Keyla Andrea Santiago Oliveira\",\"doi\":\"10.5747/ch.2022.v19.h531\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This review article aims to think about the relationships between Art, human formation and aesthetic experience, having as a reference the Critical Theory of society and its conceptual contributions about the powers of transformation and human and social formation. The theorists who support this analysis are Herbert Marcuse, Theodor W. Adorno and Walter Benjamin. To these authors, Art is conceived in its autonomy and transcendence, having in the aesthetic experience its space of constitution of the human, of otherness and desire for freedom. The dialogue with these works allowed us to understand the (trans)forming powers that constitute the relationship between Art, human formation and aesthetic experience insofar as they fight reification, by making people speak, dance, sing and contemplate.\",\"PeriodicalId\":33252,\"journal\":{\"name\":\"Colloquium Humanarum\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Colloquium Humanarum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5747/ch.2022.v19.h531\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Colloquium Humanarum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5747/ch.2022.v19.h531","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ARTE, FORMAÇÃO HUMANA E EXPERIÊNCIA ESTÉTICA: POTÊNCIAS (TRANS) FORMADORAS À LUZ DA TEORIA CRÍTICA
This review article aims to think about the relationships between Art, human formation and aesthetic experience, having as a reference the Critical Theory of society and its conceptual contributions about the powers of transformation and human and social formation. The theorists who support this analysis are Herbert Marcuse, Theodor W. Adorno and Walter Benjamin. To these authors, Art is conceived in its autonomy and transcendence, having in the aesthetic experience its space of constitution of the human, of otherness and desire for freedom. The dialogue with these works allowed us to understand the (trans)forming powers that constitute the relationship between Art, human formation and aesthetic experience insofar as they fight reification, by making people speak, dance, sing and contemplate.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
