保护和修复游行横幅的挑战-个案研究

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2021-10-31 DOI:10.14568/cp2020034
A. Dias, A. Bidarra, P. Antunes
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引用次数: 0

摘要

游行横幅是自中世纪以来在游行和宗教节日中使用最频繁的标志之一。由于这些作品由不同的材料组成,并受到不断的处理,它们往往表现出严重的退化,对其保护和修复构成挑战。本案例研究的重点是一个游行横幅,大概来自18世纪,一面描绘了圣迈克尔大天使,另一面描绘了玫瑰圣母。该干预措施得到了几种分析技术的支持,如纺织纤维分析、光学显微镜(OM)、扫描电子显微镜与能量色散光谱(SEM-EDS)、x射线荧光光谱(XRF)和傅里叶变换红外光谱(FTIR)。结果提供了一个更好的洞察对象的技术特征。
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Challenges in the conservation and restoration of processional banners – a case study
Processional banners are one of the most recurrent symbols used in processions and religious festivities, incorporating them since the Middle Age. As these pieces are composed of different materials and subjected to constant handling, they often exhibit severe degradation, posing as a challenge for its conservation and restoration. This case study is focused on a processional banner, presumably from the 18th century, depicting, on one side, Saint Michael Archangel and, on the other, Our Lady of the Rosary. The intervention was supported by several analytical techniques such as textile fibres analysis, optical microscopy (OM), scanning electron microscopy with energy dispersive spectroscopy (SEM-EDS), X-ray fluorescence spectroscopy (XRF), and Fourier transform infrared spectroscopy (FTIR). The results provided a better insight on the technological features of the object.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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