面部表情揭示:休·戴蒙德对精神疾病的摄影表现。

Pub Date : 2022-09-01 DOI:10.1016/j.endeavour.2022.100812
Sara Wetzler
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引用次数: 0

摘要

休·戴蒙德是一位精神病学家、古物收藏家和摄影师,他是第一个拍摄女性精神病院病人照片的人。这些照片使用了新发明的相机技术,旨在成为精神疾病的客观和准确的视觉指标。考虑到戴蒙德重叠的兴趣,他的项目必须在更大的文化和历史背景下以及医学摄影和肖像中固有的紧张关系中被理解。尽管这些照片的目的是捕捉“客观、科学的数据”,但它们依赖的是可以追溯到希腊和中世纪的传统图像学,可以从艺术史的角度进行分析。作为一名古董收藏家,戴蒙德收集病人的肖像,就像他收集其他各种物品一样。因此,虽然戴蒙德可能被认为是道德治疗运动的人文主义领袖,但他在捕捉这些“标本”——女性患者——方面的工作,反映了精神疾病被污名化的延续,并将其展示给维多利亚时代的观众。
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What faces reveal: Hugh Diamond’s photographic representations of mental illness

Hugh Diamond was a psychiatrist, antiquarian, and photographer, who was the first person to take photographs of female asylum patients. These photographs, using the newly invented technology of the camera, were intended to be objective and accurate visual indicators of mental illness. Considering Diamond’s overlapping interests, his project must be understood within the larger cultural and historical context and the tensions inherent in medical photography and portraiture. Despite the goal of capturing “objective, scientific data,” the photographs instead relied on traditional iconography dating back to the Greeks and Middle Ages and can be analyzed from an art historical perspective. As an antiquarian, Diamond collected portraits of his patients just as he collected various other objects. As such, while Diamond may be considered a humanistic leader of the moral treatment movement, his work in capturing these “specimens,” the female patients, reflects a perpetuation of the stigmatization of mental illness to be put on display for the Victorian audience.

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