{"title":"简介:音乐与感官","authors":"Dane Stalcup","doi":"10.1080/08905495.2023.2162806","DOIUrl":null,"url":null,"abstract":"Why does music stir our desires and enliven our emotions? Beyond hearing, how does it relate to our other senses? What does the existence of music suggest about human nature? And what does music even mean? Wayne Koestenbaum hints at answers to some of these questions in relation to the experience of hearing – and seeing – opera: “A singer’s voice sets up vibrations and resonances in the human body” (2001, 42). Indeed, the idea of music as a physical system of waves and vibrational sensations has inspired thinkers for millennia, from Pythagoras to the composer Jean-Philippe Rameau and beyond. So, too, of course, has the notion that music links directly to human passions and perhaps even our morality. Koestenbaum continues:","PeriodicalId":43278,"journal":{"name":"Nineteenth-Century Contexts-An Interdisciplinary Journal","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Introduction: music and the senses\",\"authors\":\"Dane Stalcup\",\"doi\":\"10.1080/08905495.2023.2162806\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Why does music stir our desires and enliven our emotions? Beyond hearing, how does it relate to our other senses? What does the existence of music suggest about human nature? And what does music even mean? Wayne Koestenbaum hints at answers to some of these questions in relation to the experience of hearing – and seeing – opera: “A singer’s voice sets up vibrations and resonances in the human body” (2001, 42). Indeed, the idea of music as a physical system of waves and vibrational sensations has inspired thinkers for millennia, from Pythagoras to the composer Jean-Philippe Rameau and beyond. So, too, of course, has the notion that music links directly to human passions and perhaps even our morality. Koestenbaum continues:\",\"PeriodicalId\":43278,\"journal\":{\"name\":\"Nineteenth-Century Contexts-An Interdisciplinary Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth-Century Contexts-An Interdisciplinary Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08905495.2023.2162806\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth-Century Contexts-An Interdisciplinary Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08905495.2023.2162806","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Why does music stir our desires and enliven our emotions? Beyond hearing, how does it relate to our other senses? What does the existence of music suggest about human nature? And what does music even mean? Wayne Koestenbaum hints at answers to some of these questions in relation to the experience of hearing – and seeing – opera: “A singer’s voice sets up vibrations and resonances in the human body” (2001, 42). Indeed, the idea of music as a physical system of waves and vibrational sensations has inspired thinkers for millennia, from Pythagoras to the composer Jean-Philippe Rameau and beyond. So, too, of course, has the notion that music links directly to human passions and perhaps even our morality. Koestenbaum continues:
期刊介绍:
Nineteenth-Century Contexts is committed to interdisciplinary recuperations of “new” nineteenth centuries and their relation to contemporary geopolitical developments. The journal challenges traditional modes of categorizing the nineteenth century by forging innovative contextualizations across a wide spectrum of nineteenth century experience and the critical disciplines that examine it. Articles not only integrate theories and methods of various fields of inquiry — art, history, musicology, anthropology, literary criticism, religious studies, social history, economics, popular culture studies, and the history of science, among others.