梅萨琳娜的镀金乳头?

IF 0.2 3区 历史学 0 CLASSICS ARETHUSA Pub Date : 2023-01-01 DOI:10.1353/are.2023.a899550
Stephanie Mccarter
{"title":"梅萨琳娜的镀金乳头?","authors":"Stephanie Mccarter","doi":"10.1353/are.2023.a899550","DOIUrl":null,"url":null,"abstract":"Abstract:This article questions the long-held assumption that the empress Messalina, as described by Juvenal at Satires 6.122–23, is donning gold foil pasties on her nipples as she performs sex work in a Roman brothel. I argue that papilla never unambiguously suggests a nipple in Roman poetry and is better understood as referring to the full breast. The idea that Messalina sports pasties, moreover, arose in the 19th century under the influence of Orientalism. The popular interpretation of this passage is therefore a product of a later western, colonial male gaze. We should think of Messalina's adornment in Roman terms rather than retroject much later stereotypes and sexual taboos onto the past.","PeriodicalId":44750,"journal":{"name":"ARETHUSA","volume":"56 1","pages":"117 - 140"},"PeriodicalIF":0.2000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Messalina's Gilded Nipples?\",\"authors\":\"Stephanie Mccarter\",\"doi\":\"10.1353/are.2023.a899550\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article questions the long-held assumption that the empress Messalina, as described by Juvenal at Satires 6.122–23, is donning gold foil pasties on her nipples as she performs sex work in a Roman brothel. I argue that papilla never unambiguously suggests a nipple in Roman poetry and is better understood as referring to the full breast. The idea that Messalina sports pasties, moreover, arose in the 19th century under the influence of Orientalism. The popular interpretation of this passage is therefore a product of a later western, colonial male gaze. We should think of Messalina's adornment in Roman terms rather than retroject much later stereotypes and sexual taboos onto the past.\",\"PeriodicalId\":44750,\"journal\":{\"name\":\"ARETHUSA\",\"volume\":\"56 1\",\"pages\":\"117 - 140\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARETHUSA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/are.2023.a899550\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARETHUSA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/are.2023.a899550","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
引用次数: 0

摘要

摘要:这篇文章质疑了一个长期以来的假设,即如Juvenal在Satires 6.122-23中所描述的,Messalina皇后在罗马妓院从事性工作时,在她的乳头上戴着金箔馅饼。我认为,在罗马诗歌中,papilla从来没有明确地暗示乳头,它更应该被理解为指丰满的乳房。此外,在东方主义的影响下,19世纪出现了Messalina运动馅饼的想法。因此,对这段话的流行解释是后来西方殖民时期男性目光的产物。我们应该从罗马的角度来看待梅萨里纳的装饰,而不是将后来的刻板印象和性禁忌回溯到过去。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Messalina's Gilded Nipples?
Abstract:This article questions the long-held assumption that the empress Messalina, as described by Juvenal at Satires 6.122–23, is donning gold foil pasties on her nipples as she performs sex work in a Roman brothel. I argue that papilla never unambiguously suggests a nipple in Roman poetry and is better understood as referring to the full breast. The idea that Messalina sports pasties, moreover, arose in the 19th century under the influence of Orientalism. The popular interpretation of this passage is therefore a product of a later western, colonial male gaze. We should think of Messalina's adornment in Roman terms rather than retroject much later stereotypes and sexual taboos onto the past.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
ARETHUSA
ARETHUSA CLASSICS-
CiteScore
0.30
自引率
0.00%
发文量
4
期刊介绍: Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
期刊最新文献
A New Musical Helen Musical Structure in Greek Tragedy: Introduction Performing Aeschylus's Persians Musical Structure and the Interpretability of Agamemnon 1513–20 From the Editor
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1