托马斯·基德的衰落

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Journal of Early Modern Studies-Romania Pub Date : 2019-03-14 DOI:10.13128/JEMS-2279-7149-24889
Darren Freebury-Jones
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引用次数: 5

摘要

传统上,托马斯·基德被认为是《西班牙悲剧》、《索利曼与珀尔塞达》和《科妮莉亚》的作者。基德也可能在莎士比亚的版本之前写了一部失传的哈姆雷特剧本。在他同时代的人当中,基德享有比今天高得多的声誉。托马斯·德克尔和本·琼森分别用“勤奋”和“运动”来形容基德,这表明基德的作品远不止现在公认的三部戏剧,而且他可能还写过喜剧。这篇文章探讨了基德作为主要剧作家的声誉受到阻碍的方式,他的匿名文本作者的学术争论经常被马洛和/或莎士比亚的主张所取代。此外,特里·布鲁斯反驳了基德写了《哈姆雷特》原著的理论,她认为Q1代表了莎士比亚写的《哈姆雷特》的旧版本。因此,这篇文章调查了最近的归因和文本研究,并表明基德一直是早期现代文学研究中一种奇怪的意识形态现象的受害者,这种现象立即孤立了莎士比亚,同时强制执行作者多元化的概念,即使缺乏共同作者的证据。这篇文章呼吁重新评估基德作为那个时期主要剧作家的遗产。
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The Diminution of Thomas Kyd
Thomas Kyd is traditionally accepted as the author of The Spanish Tragedy , Soliman and Perseda , and Cornelia . Kyd may also have written a lost Hamlet play that preceded Shakespeare’s version. Among his contemporaries, Kyd enjoyed a far higher reputation than he does today. Thomas Dekker and Ben Jonson’s respective epithets, ‘industrious’ and ‘sporting’, suggest that Kyd’s canon was considerably larger than the three plays now acknowledged as his, and that he may have written comedies. The article explores the ways in which Kyd’s reputation as a major dramatist has been impeded, with scholarly arguments for his authorship of anonymous texts often displaced by claims for Marlowe and/or Shakespeare. Furthermore, the theory that Kyd wrote the original Hamlet play has been countered by Terri Bourus, who argues that Q1 represents an older version of the play written by Shakespeare. The article thus surveys recent attribution and textual scholarship and suggests that Kyd has been the victim of a curious ideological phenomenon in early modern literary studies, which at once isolates Shakespeare, while enforcing notions of authorial plurality, even when the evidence for co-authorship is lacking. The article calls for a reassessment of Kyd’s legacy as a major dramatist of the period.
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来源期刊
Journal of Early Modern Studies-Romania
Journal of Early Modern Studies-Romania HUMANITIES, MULTIDISCIPLINARY-
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