凯撒与复仇阴谋——从牛津到莎士比亚环球

IF 0.3 2区 文学 0 LITERATURE REVIEW OF ENGLISH STUDIES Pub Date : 2023-04-26 DOI:10.1093/res/hgad042
T. Vozar
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引用次数: 0

摘要

人们曾多次试图证明莎士比亚在写《凯撒大帝》时了解并借鉴了匿名的大学戏剧《凯撒·鲁恩格》。这篇文章重新审视了影响的问题,提出了鲁恩格不仅影响了莎士比亚戏剧的某些细节,还帮助塑造了它的总体结构,并提出了一些主要主题。在引言之后,第一部分将牛津大学三一学院的学生表演的《鲁恩格》置于其学术背景中,并探讨了约会的关键问题,认为它先于莎士比亚的《凯撒》悲剧。第二部分探讨了两部戏剧的主要和次要的相似之处,并论证了莎士比亚的学术前辈似乎萦绕在熟悉的《凯撒大帝》情节中的方式。一个简短的结论考虑了这可能表明莎士比亚与大学的关系,这是一个越来越受到学术界关注的主题。
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Julius Caesar and the Revenge Plot from Oxford to Shakespeare’s Globe
Several attempts have been made to demonstrate that Shakespeare knew and drew from the anonymous university drama Caesars Reuenge in writing Julius Caesar. This article revisits the question of influence, making the case that Reuenge not only influenced certain particulars of Shakespeare’s play but also helped to shape its general structure and suggested some of its major themes. Following the introduction, the first part situates Reuenge, performed by the students of Trinity College, Oxford, within its academic context, and examines the crucial matter of dating, arguing that it precedes Shakespeare’s Caesar tragedy. The second part treats the minor and major parallels between the two plays and demonstrates the ways in which Shakespeare’s academic predecessor seems to haunt the familiar plot of Julius Caesar. A brief conclusion considers what this might indicate about Shakespeare’s relationship with the universities, a subject of increasing scholarly attention.
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