游击回忆录作家:在第一次世界大战回忆录的边缘恢复亲密关系

Q1 Arts and Humanities Critical Military Studies Pub Date : 2020-04-02 DOI:10.1080/23337486.2019.1612143
E. Rosenhaft
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引用次数: 1

摘要

在日益增长的关于旁注的学术研究中,它们在军事回忆录中的作用相对较少受到关注。如果我们接受尤瓦尔·诺亚·赫拉利(Yuval Noah Harari)对“现代战争文化”的诊断,即现代军事旁注有其自身的品质,这种“现代战争文化”来自于不断扩大的图书市场和后启蒙认识论的同时发展,后者将战争的经历和记忆赋予了特殊的意义。鉴于现代性的这种矛盾性质,军事注释者可以被视为“游击回忆录作者”,重新挪用了战斗人员之间的亲密对话,对他们共同经验的商品化和市场化进行了隐性挑战。这篇文章借鉴了历史上军事旁注的例子,以及刘易斯·海德(Lewis Hyde)对礼物关系的描述,为一个案例研究提供了背景:一位美国第一次世界大战老兵在一本《钢铁风暴》(Storm of Steel)中所做的注释(包括一张粘贴的战壕地图)。《钢铁风暴》是恩斯特·约恩格尔(Ernst jenger) 1929年最畅销的战争回忆录《在Stahlgewittern》的美国版。
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Guerrilla memoirists: recovering intimacy in the margins of First World War memoirs
ABSTRACT In the growing scholarship on marginalia, relatively little attention has been given to their function in military memoirs. This article proposes that modern military marginalia have a quality of their own, if we accept Yuval Noah Harari’s diagnosis of a ‘modern war culture’ emerging from the concurrent developments of an expanding book market and a post-Enlightenment epistemology that attributes special significance to the experience and remembrance of war. In the light of this ambivalent quality of modernity, the military annotator can be seen as a ‘guerrilla memoirist’, re-appropriating the intimate conversation among combatants in tacit challenge to the commodification and marketization of their shared experience. The article draws on historical examples of military marginalia and on Lewis Hyde’s account of the gift relationship to contextualize a case study: the annotations (including a pasted-in trench map) made by an American First World War veteran in a copy of Storm of Steel, the 1929 American edition of Ernst Jünger’s best-selling war memoir In Stahlgewittern.
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来源期刊
Critical Military Studies
Critical Military Studies Arts and Humanities-History
CiteScore
1.90
自引率
0.00%
发文量
20
期刊介绍: Critical Military Studies provides a rigorous, innovative platform for interdisciplinary debate on the operation of military power. It encourages the interrogation and destabilization of often taken-for-granted categories related to the military, militarism and militarization. It especially welcomes original thinking on contradictions and tensions central to the ways in which military institutions and military power work, how such tensions are reproduced within different societies and geopolitical arenas, and within and beyond academic discourse. Contributions on experiences of militarization among groups and individuals, and in hitherto underexplored, perhaps even seemingly ‘non-military’ settings are also encouraged. All submitted manuscripts are subject to initial appraisal by the Editor, and, if found suitable for further consideration, to double-blind peer review by independent, anonymous expert referees. The Journal also includes a non-peer reviewed section, Encounters, showcasing multidisciplinary forms of critique such as film and photography, and engaging with policy debates and activism.
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