普奇(纸)图案,1956-73

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Dress-The Journal of the Costume Society of America Pub Date : 2022-01-02 DOI:10.1080/03612112.2021.2022284
Sarah Sheehan
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引用次数: 0

摘要

成立于1947年的璞琪(Pucci)以其标志性的印花而闻名。然而,即使在60年代的普契曼尼亚风潮之前,商业缝纫图案也是普契流行的重要组成部分。在近20年的时间里,埃米利奥·普奇(Emilio Pucci)将自己的时装设计授权给了美国的图案公司,包括麦考尔公司(McCall Corporation)和《Vogue》杂志的独立分支《Vogue》图案服务公司(Vogue pattern Service)。这篇初步综述记录了在这一时期(1956-73年),普奇的作品是如何被呈现和销售给家庭裁缝的。看看普奇的复古图案,就会发现这个设计师的授权不仅与奢侈运动服装和纺织品的发展趋势相交叉,而且还与休闲、现代和意大利时尚的不断变化的理念相交叉。
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Pucci (Paper) Patterns, 1956–73
Established in 1947, the house of Pucci is best known for its iconic prints. Yet even before the Puccimania of the Swinging Sixties, commercial sewing patterns were an important part of Pucci’s popular reception. Over the course of almost two decades, Emilio Pucci licensed his fashion designs with American pattern companies including the McCall Corporation and the Vogue Pattern Service, the independent offshoot of Vogue magazine. This preliminary overview documents how Pucci’s work was represented and marketed to home dressmakers during this period (1956–73). A look at vintage Pucci patterns in context shows how this designer licensing intersects not only with trends in luxury sportswear and textile development but also changing ideas of leisure, modernity, and Italian fashion.
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CiteScore
0.20
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28
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