“因为我不喜欢音乐”:澳大利亚职前通才小学教师音乐教育培训的关键案例研究

IF 1 3区 教育学 Q3 EDUCATION & EDUCATIONAL RESEARCH British Journal of Music Education Pub Date : 2022-09-12 DOI:10.1017/S0265051722000274
Christine Carroll, Joanne Harris
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引用次数: 0

摘要

摘要关于小学通才教师音乐教育职前培训的文献揭示了教师教育工作者长期存在的一个问题:课堂音乐教学的自我效能感低或差。与此同时,对培训计划的批判性审查很少出现,只有对课堂音乐制作的数字方法的有限讨论才是实证研究的重点。通过对澳大利亚一所大学的重点案例研究,136名职前教师参与了互动音乐教育的面对面模块,最终形成了一个由同行指导的合作数字音乐制作项目。根据班杜拉的自我效能量表测量职前教师的自我效能感,并进行职前和职后调查。教育社会学的合法化密码理论是评价研究结果的一个重要理论视角。尽管作为“非音乐家”的自我概念经久不衰,但研究结果强调,通过利用同伴指导的数字音乐制作任务,自我效能感发生了积极变化,这对更广泛的教师培训计划有影响。
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‘Because I’m not musical’: A critical case study of music education training for pre-service generalist primary teachers in Australia
Abstract The literature concerning pre-service training in music education for generalist primary or elementary school teachers reveals a long-standing problem for teacher educators: low or poor self-efficacy concerning the teaching of classroom music. Concurrently, a critical examination of training programmes has less often featured, with only limited discussion of digital approaches to classroom music-making constituting the focus of empirical research. Through a focused case study in one Australian university, 136 pre-service teachers participated in a face-to-face module of interactive music education which culminated in a peer-directed collaborative digital music-making project. Pre- and post-surveys were implemented with shifts in pre-service teachers’ self-efficacy measured according to Bandura’s self-efficacy scales. Legitimation Code Theory from the sociology of education then served as an overarching theoretical lens through which to appraise the findings. Despite an enduring self-concept as ‘non-musicians’, the results highlight positive shifts in self-efficacy through the utilisation of peer-directed digital music-making tasks, with implications for teacher training programmes more broadly situated.
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来源期刊
CiteScore
2.40
自引率
10.00%
发文量
37
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