{"title":"精神采矿:奥古斯丁在秘鲁殖民时期的提取图像","authors":"Annick Benavides","doi":"10.1080/00043079.2022.2070393","DOIUrl":null,"url":null,"abstract":"Abstract Prints and paintings that celebrate the conversion of Indigenous peoples to Christianity can be perceived as “spiritual mining” in light of an underlying extractive ethos that structured the colonial enterprise. This article discusses seventeenth-century artworks commissioned by the Augustinian Order in Peru, which equated evangelization with the mining of precious minerals. Analysis of the artworks paired with a close historical reading of the book of Job identifies an agenda that objectifies Indigenous souls as treasure in order to normalize gestational events in global capitalism—the extraction of mineral resources from American lands and exploitation of Indigenous labor.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"104 1","pages":"46 - 69"},"PeriodicalIF":0.4000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Spiritual Mining: Augustinian Images of Extraction in Colonial Peru\",\"authors\":\"Annick Benavides\",\"doi\":\"10.1080/00043079.2022.2070393\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Prints and paintings that celebrate the conversion of Indigenous peoples to Christianity can be perceived as “spiritual mining” in light of an underlying extractive ethos that structured the colonial enterprise. This article discusses seventeenth-century artworks commissioned by the Augustinian Order in Peru, which equated evangelization with the mining of precious minerals. Analysis of the artworks paired with a close historical reading of the book of Job identifies an agenda that objectifies Indigenous souls as treasure in order to normalize gestational events in global capitalism—the extraction of mineral resources from American lands and exploitation of Indigenous labor.\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"104 1\",\"pages\":\"46 - 69\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2022.2070393\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2022.2070393","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Spiritual Mining: Augustinian Images of Extraction in Colonial Peru
Abstract Prints and paintings that celebrate the conversion of Indigenous peoples to Christianity can be perceived as “spiritual mining” in light of an underlying extractive ethos that structured the colonial enterprise. This article discusses seventeenth-century artworks commissioned by the Augustinian Order in Peru, which equated evangelization with the mining of precious minerals. Analysis of the artworks paired with a close historical reading of the book of Job identifies an agenda that objectifies Indigenous souls as treasure in order to normalize gestational events in global capitalism—the extraction of mineral resources from American lands and exploitation of Indigenous labor.
期刊介绍:
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December