公共历史和争议遗产

IF 0.5 Q1 HISTORY Public History Review Pub Date : 2020-04-05 DOI:10.5130/phrj.v27i0.7088
H. Hughes, G. Fedele, Zeno Gaiaschi, Alessandro Pesaro
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引用次数: 2

摘要

本文介绍了英国和意大利这两个国家的参与者之间合作的公共历史项目的案例研究。其主题是1939-1945年欧洲的轰炸战争,这场战争在这两个国家以截然不同的方式被铭记和纪念:因此,所涉及的敏感性不仅构成了国家一级进行的公共历史,而且也涉及有争议的遗产。介绍了公共历史在英国和意大利的发展方式。接下来是对轰炸战争如何在每个国家被铭记的解释。在英国,英国皇家空军轰炸机司令部的老兵们长期以来一直感到被忽视的感觉,这主要是因为蓄意以平民为目标并不符合胜利者的主流叙事。在意大利,被轰炸的回忆在公认的解放话语中仍然极不和谐。国际轰炸机指挥中心数字档案馆(或档案馆)随后被描述为一个案例研究,采用公共历史方法,重点关注其包容性精神的各个方面,旨在保留多个视角。该项目的意大利部分得到了强调,在20世纪历史的更广泛背景下,有争议的遗产数字化成为问题。对数字归档实践的使用和合作关系进行了反思,并简要介绍了归档前18个月的在线用户分析。
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Public History and Contested Heritage
This article presents a case study of a collaborative public history project between participants in two countries, the United Kingdom and Italy. Its subject matter is the bombing war in Europe, 1939-1945, which is remembered and commemorated in very different ways in these two countries: the sensitivities involved thus constitute not only a case of public history conducted at the national level but also one involving contested heritage. An account of the ways in which public history has developed in the UK and Italy is presented. This is followed by an explanation of how the bombing war has been remembered in each country. In the UK, veterans of RAF Bomber Command have long felt a sense of neglect, largely because the deliberate targeting of civilians has not fitted comfortably into the dominant victor narrative. In Italy, recollections of being bombed have remained profoundly dissonant within the received liberation discourse. The International Bomber Command Centre Digital Archive (or Archive) is then described as a case study that employs a public history approach, focusing on various aspects of its inclusive ethos, intended to preserve multiple perspectives. The Italian component of the project is highlighted, problematising the digitisation of contested heritage within the broader context of twentieth-century history. Reflections on the use of digital archiving practices and working in partnership are offered, as well as a brief account of user analytics of the Archive through its first eighteen months online.
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52 weeks
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