Emil von Sauer: Liszt's Forgotten Protégé by Anita Crocus (review)

granting institution.” Furthermore, various guidelines and instructions are modified or removed, reducing the reliability of the cited RDA instructions in Cataloging beyond the Notes and requiring confirmation of rules and best practices in the Official RDA Toolkit. Cataloging beyond the Notes is aimed at “both experienced music catalogers and those beginning to catalog music” (p. xiv). The former will benefit from Hartsock and Lisius’s thorough commentary on notes and notes-related examples; the latter will benefit even more from the presence of RDA instructions (with instruction numbers), LC-PCC PSs, and MLA BPs, allowing the book to serve as supplemental instruction as well as a cataloging reference source. That being said, it bears repeating that the usefulness of these instructions and best-practice statements as a reference source will wane over time, as standards and rules continue to evolve. This has already been demonstrated by the transition to the Official RDA Toolkit, and as Hartsock and Lisius state in the appendix, “once the new official Toolkit has solidified as cataloging reference, a new edition of this book reflecting these concerns may be useful” (p. 834). Until such a time, Cataloging beyond the Notes will serve as a somewhat limited, but crucial reference source for catalogers.