{"title":"无法控制的眼睛:摄影,殖民统治和爱尔兰叛乱","authors":"Justin Carville","doi":"10.1080/03087298.2022.2113621","DOIUrl":null,"url":null,"abstract":"Framing photography and policing through Michael Foucault’s concept of counter-conducts in his writings on governmentality, this article discusses photography’s provocations within colonial governmentality of the Irish insurgent movements of the mid nineteenth century. In 1866, British authorities legislated for suspension of habeas corpus in response to what they identified as the Fenian threat to the ideals of the modern liberal state. Fenian insurgency was not just an anti-colonial movement but an asymmetrical political fraternity with a trans-Atlantic membership that included retired American Civil War veterans. Mobilised for the identification and surveillance of Fenians traversing across the Atlantic and the Irish Sea, photography was used to arrest the likenesses of individuals whose mobility threatened the security of the state and its colonies. In this process, the photograph’s mass reproducibility and mobility as a material image-object was pressed into action to identify suspected insurgents. Exploring the entwined histories of photography, policing and the Fenian Irish, the article discusses how photography simultaneously contributed to and undermined colonial governmentality.","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"45 1","pages":"217 - 230"},"PeriodicalIF":0.3000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Ungovernable Eye: Photography, Colonial Governmentality and Irish Insurgency\",\"authors\":\"Justin Carville\",\"doi\":\"10.1080/03087298.2022.2113621\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Framing photography and policing through Michael Foucault’s concept of counter-conducts in his writings on governmentality, this article discusses photography’s provocations within colonial governmentality of the Irish insurgent movements of the mid nineteenth century. In 1866, British authorities legislated for suspension of habeas corpus in response to what they identified as the Fenian threat to the ideals of the modern liberal state. Fenian insurgency was not just an anti-colonial movement but an asymmetrical political fraternity with a trans-Atlantic membership that included retired American Civil War veterans. Mobilised for the identification and surveillance of Fenians traversing across the Atlantic and the Irish Sea, photography was used to arrest the likenesses of individuals whose mobility threatened the security of the state and its colonies. In this process, the photograph’s mass reproducibility and mobility as a material image-object was pressed into action to identify suspected insurgents. Exploring the entwined histories of photography, policing and the Fenian Irish, the article discusses how photography simultaneously contributed to and undermined colonial governmentality.\",\"PeriodicalId\":13024,\"journal\":{\"name\":\"History of Photography\",\"volume\":\"45 1\",\"pages\":\"217 - 230\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03087298.2022.2113621\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2022.2113621","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Ungovernable Eye: Photography, Colonial Governmentality and Irish Insurgency
Framing photography and policing through Michael Foucault’s concept of counter-conducts in his writings on governmentality, this article discusses photography’s provocations within colonial governmentality of the Irish insurgent movements of the mid nineteenth century. In 1866, British authorities legislated for suspension of habeas corpus in response to what they identified as the Fenian threat to the ideals of the modern liberal state. Fenian insurgency was not just an anti-colonial movement but an asymmetrical political fraternity with a trans-Atlantic membership that included retired American Civil War veterans. Mobilised for the identification and surveillance of Fenians traversing across the Atlantic and the Irish Sea, photography was used to arrest the likenesses of individuals whose mobility threatened the security of the state and its colonies. In this process, the photograph’s mass reproducibility and mobility as a material image-object was pressed into action to identify suspected insurgents. Exploring the entwined histories of photography, policing and the Fenian Irish, the article discusses how photography simultaneously contributed to and undermined colonial governmentality.
期刊介绍:
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.