{"title":"本质与偶然:拜占庭肖像画与亚里士多德哲学","authors":"H. Maguire","doi":"10.1017/byz.2021.28","DOIUrl":null,"url":null,"abstract":"The presentation of portraits of emperors and saints in Byzantine art can be compared to theories of physiognomy and logic put forward by Aristotle and his Byzantine followers. Similar observations have been made about the portal sculptures of High Gothic cathedrals, but although the ordering of images in the two cases reflected similar patterns of thought, the particular forms of the portraits differed in each milieu, responding to a different relationship between images and the faithful in each society.","PeriodicalId":43258,"journal":{"name":"BYZANTINE AND MODERN GREEK STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Essence and accident: Byzantine portraiture and Aristotelian philosophy\",\"authors\":\"H. Maguire\",\"doi\":\"10.1017/byz.2021.28\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The presentation of portraits of emperors and saints in Byzantine art can be compared to theories of physiognomy and logic put forward by Aristotle and his Byzantine followers. Similar observations have been made about the portal sculptures of High Gothic cathedrals, but although the ordering of images in the two cases reflected similar patterns of thought, the particular forms of the portraits differed in each milieu, responding to a different relationship between images and the faithful in each society.\",\"PeriodicalId\":43258,\"journal\":{\"name\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-03-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"BYZANTINE AND MODERN GREEK STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/byz.2021.28\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"BYZANTINE AND MODERN GREEK STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/byz.2021.28","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Essence and accident: Byzantine portraiture and Aristotelian philosophy
The presentation of portraits of emperors and saints in Byzantine art can be compared to theories of physiognomy and logic put forward by Aristotle and his Byzantine followers. Similar observations have been made about the portal sculptures of High Gothic cathedrals, but although the ordering of images in the two cases reflected similar patterns of thought, the particular forms of the portraits differed in each milieu, responding to a different relationship between images and the faithful in each society.
期刊介绍：
Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.
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