金融系统中的艺术干预与颠覆——保罗·西里奥访谈录

IF 0.3 0 ART Visual Resources Pub Date : 2018-04-03 DOI:10.1080/01973762.2018.1437971
Marisa Lerer, C. McGarrigle
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引用次数: 0

摘要

在2016年《巴拿马文件》和2017年《天堂文件》发布之前,概念艺术家Paolo Cirio(b.1979)的项目《全民漏洞》(2013)揭示并记录了离岸金融中心背后的机制。在这次采访中,Cirio阐述了他对离岸银行业务的调查,描述了他建立替代金融模式的项目,并解释了他与法律和经济系统合作的黑客行动主义(即互联网活动家)策略。Cirio定义了他作品中的基本运动,进而阐明了他直接挑衅和表现的方法,以揭示社会和经济不平等。
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Art Interventions and Disruptions in Financial Systems: An Interview with Paolo Cirio
Prior to the release of the 2016 Panama Papers and 2017 Paradise Papers – leaked documents that uncovered the movement of funds through offshore tax havens – conceptual artist Paolo Cirio’s (b. 1979) project Loophole for All (2013) revealed and documented the mechanics behind offshore financial centers. In this interview, Cirio expounds upon his investigations of offshore banking practices, describes his projects for instituting alternative financial models, and explains his hacktivist (i.e. Internet activist) strategies that engage with legal and economic systems. Defining the foundational movements that inform his work, Cirio in turn illuminates his methods of direct provocation and performance to reveal social and economic inequalities.
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来源期刊
CiteScore
0.30
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0.00%
发文量
12
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