从原始音频对弓弦乐器演奏技术的分类

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS Journal of New Music Research Pub Date : 2020-07-07 DOI:10.1080/09298215.2020.1784957
A. Kruger, J. P. Jacobs
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引用次数: 4

摘要

基于原始音频的乐器演奏技术分类是音乐信息检索研究中一个相对未探索的领域。本研究系统地研究了使用基于Hartley变换的特征增强的传统音频特征,将其用作多类支持向量机(SVM)分类器的输入,以识别小提琴、中提琴、大提琴和低音提琴中的每一种上多达11种不同的演奏技术。此外,还开发了36类和44类联合乐器和演奏技术分类器,其宏观平均F-测度超过0.88。我们的方法在最先进的研究基础上进行了扩展和改进,该研究实现了稀疏编码的幅度和相位衍生的频谱特征。
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Playing technique classification for bowed string instruments from raw audio
Music instrument playing technique classification based on raw audio is a relatively unexplored area of music information retrieval research. This study systematically investigates the use of traditional audio features augmented by features based on the Hartley transform, used as input to a multiclass support vector machine (SVM) classifier, to identify up to 11 different playing techniques performed on each of the violin, viola, cello, and contrabass. Furthermore, 36- and 44-class joint instrument and playing technique classifiers were developed that achieved macro-average F-measures exceeding 0.88. Our approach expands and improves on the state-of-the-art study, which implemented sparse-coded magnitude and phase-derived spectral features.
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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