哈瓦那国王的裸体生活和生物政治

IF 0.3 3区 文学 N/A LITERATURE SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-01-02 DOI:10.1080/00397709.2022.2164659
Micah Mckay
{"title":"哈瓦那国王的裸体生活和生物政治","authors":"Micah Mckay","doi":"10.1080/00397709.2022.2164659","DOIUrl":null,"url":null,"abstract":"Abstract In this essay, I propose a reading of Pedro Juan Gutiérrez’s novel El Rey de La Habana (1999) as a critique of the reduction of political life to what philosopher Giorgio Agamben calls “bare life.” The novel, written during the período especial highlights the state of emergency and economic crisis that overwhelmed Cuba following the fall of the Berlin Wall and the dissolution of the Soviet Union. My analysis centers on Reynaldo, the novel’s protagonist, and the various ways he embodies the thresholds or zones of indistinction that constitute bare life. In Agamben’s terms, Reynaldo exhibits the traits of homo sacer, the sacred man whose exclusion from political life is constitutive of modern sovereign power. In this sense, my biopolitical reading contemplates the central role of excessive corporeality in the novel as an index of the violence of sovereign power during Cuba’s Special Period.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bare Life and Biopolitics in El Rey de La Habana\",\"authors\":\"Micah Mckay\",\"doi\":\"10.1080/00397709.2022.2164659\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In this essay, I propose a reading of Pedro Juan Gutiérrez’s novel El Rey de La Habana (1999) as a critique of the reduction of political life to what philosopher Giorgio Agamben calls “bare life.” The novel, written during the período especial highlights the state of emergency and economic crisis that overwhelmed Cuba following the fall of the Berlin Wall and the dissolution of the Soviet Union. My analysis centers on Reynaldo, the novel’s protagonist, and the various ways he embodies the thresholds or zones of indistinction that constitute bare life. In Agamben’s terms, Reynaldo exhibits the traits of homo sacer, the sacred man whose exclusion from political life is constitutive of modern sovereign power. In this sense, my biopolitical reading contemplates the central role of excessive corporeality in the novel as an index of the violence of sovereign power during Cuba’s Special Period.\",\"PeriodicalId\":45184,\"journal\":{\"name\":\"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00397709.2022.2164659\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00397709.2022.2164659","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

摘要

摘要在这篇文章中,我建议阅读佩德罗·胡安·古铁雷斯(Pedro Juan Gutiérrez)的小说《哈瓦那国王》(El Rey de La Habana,1999),作为对政治生活减少到哲学家乔治·阿甘本(Giorgio Agamben)所说的“裸生活”的批判,在秘鲁期间写的这本书特别强调了柏林墙倒塌和苏联解体后古巴陷入的紧急状态和经济危机。我的分析集中在小说的主人公雷纳尔多身上,以及他以各种方式体现构成裸露生活的界限或模糊地带。用阿甘本的话来说,雷纳尔多表现出了同一个圣人的特征,他被排除在政治生活之外是现代主权的组成部分。从这个意义上说,我的传记政治阅读思考了小说中过度物质化的核心作用,将其作为古巴特殊时期主权权力暴力的指标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Bare Life and Biopolitics in El Rey de La Habana
Abstract In this essay, I propose a reading of Pedro Juan Gutiérrez’s novel El Rey de La Habana (1999) as a critique of the reduction of political life to what philosopher Giorgio Agamben calls “bare life.” The novel, written during the período especial highlights the state of emergency and economic crisis that overwhelmed Cuba following the fall of the Berlin Wall and the dissolution of the Soviet Union. My analysis centers on Reynaldo, the novel’s protagonist, and the various ways he embodies the thresholds or zones of indistinction that constitute bare life. In Agamben’s terms, Reynaldo exhibits the traits of homo sacer, the sacred man whose exclusion from political life is constitutive of modern sovereign power. In this sense, my biopolitical reading contemplates the central role of excessive corporeality in the novel as an index of the violence of sovereign power during Cuba’s Special Period.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: Symposium is a quarterly journal of criticism in modern literatures originating in languages other than English. Recent issues include peer-reviewed essays on works by Jorge Luis Borges, Bertolt Brecht, Mikhail Bulgakov, Miguel de Cervantes, Denis Diderot, Fyodor Dostoevsky, Paloma Díaz-Mas, Assia Djebar, Umberto Eco, Franz Kafka, Francis Ponge, and Leonardo Sciascia. Scholars of literature will find research on authors, themes, periods, genres, works, and theory, often through comparative studies. Although primarily in English, some issues include discussions of works in the original language.
期刊最新文献
Mechanisms of Defense and Narrative Authority in Holocaust Fiction: Imagining the Perpetrator in David Grossman’s See Under: Love “The Political Dimension of the Unification-Disintegration Paradox in Mantra (2001) by Rodrigo Fresán” Stolen Limelight: Gender, Display and Displacement in Modern Fiction in French Felipe Valencia. The Melancholy Void: Lyric and Masculinity in the Age of Góngora Ilka Kressner, Ana María Mutis, and Elizabeth M. Pettinaroli, editors. Ecofictions, Ecorealities, and Slow Violence in Latin America and the Latinx World
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1