“中国”第一位滑雪公主的诞生:2022年冬奥会期间,顾爱玲(Eileen Gu)网络形象中的新自由主义女权主义和民族主义

Q2 Social Sciences East Asian Journal of Popular Culture Pub Date : 2023-07-11 DOI:10.1386/eapc_00103_1
Chelsea Wenzhu Xu
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引用次数: 0

摘要

2022年北京冬奥会在中国诞生了一种文化现象:18岁的谷开来(Eileen Gu)是一位半白人半中国的“滑雪天才”,她离开美国加入了中国队。在这篇文章中,我探讨了顾的网络存在如何传达对阶级、女性、种族、“中国性”以及新自由主义自我和集体国家的复杂纠缠的理解。首先,我介绍了体育民族主义和新自由主义女权主义,将顾置于后社会主义新自由主义的中国语境中。然后,我转向顾在冬奥会期间的社交媒体帖子、自制视频和网络广告。我认为,顾是在(1)一个以个人赋权为特征的新自由主义女权主义时刻和(2)一个民族主义和世界主义时刻出现的,这个时刻是由对她的民族自豪感以及她对灵活公民身份和“非政治中国性”的自我框架所框定的。我的结论是,“艾琳现象”是全球政治经济领域界限变化的一个例证,在这个领域中,理想的中国身份和适销的女性气质对全球化下的中国国家都至关重要。顾的案例表明,新自由主义自我与民族主义集体的相互作用和矛盾在当代中国文化和社会中继续上演。
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The making of ‘China’s’ first skiing princess: Neo-liberal feminism and nationalism in Eileen Gu’s online presence during the 2022 Winter Olympics
The 2022 Beijing Winter Olympics birthed a cultural phenomenon in China: Eileen Gu, an 18-year-old half-white, half-Chinese ‘skiing genius’ who left the United States to join team China. In this article, I explore the ways in which Gu’s online presence informs understandings about class, women, race, ‘Chineseness’ and the complex entanglement of the neo-liberal self and collective nation. First, I provide an introduction to sports nationalism and neo-liberal feminism to situate Gu in the post-socialist neo-liberal Chinese context. Then, I turn to Gu’s social media posts, self-made videos and online commercials during the Winter Olympics. I argue that Gu is presented within (1) a neo-liberal feminist moment characterized by individual empowerment and (2) a nationalist and cosmopolitan moment framed by the national pride towards her and her self-framing of a flexible citizenship and ‘apolitical Chineseness’. I conclude that the ‘Eileen Phenomenon’ is an illustrative instance of the shifting demarcations in a global political economic field, in which a desirable Chinese identity and a marketable femininity are both crucial for the Chinese state under globalization. Gu’s case shows that the interplay and contradiction of the neo-liberal self and the nationalist collective continue to play out in contemporary Chinese culture and society.
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来源期刊
East Asian Journal of Popular Culture
East Asian Journal of Popular Culture Social Sciences-Cultural Studies
CiteScore
0.70
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0.00%
发文量
26
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