从谐音到以色列纪录片《阿加西救了我的命》中的羞耻

IF 0.5 0 FILM, RADIO, TELEVISION Studies in Documentary Film Pub Date : 2023-02-15 DOI:10.1080/17503280.2023.2178609
R. Yosef
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引用次数: 0

摘要

摘要本文探讨了羞耻的情感体验在Tomer Heymann的纪录片《Jonathan Agassi Saved My Life》(2018)中的作用,该纪录片讲述了国际上成功的以色列同性恋色情明星Jonathan Agasi。它认为,通过强调羞耻是阿加西酷儿身份的组成部分,这部电影颠覆了他明星形象中的超男性化、以色列化和军事化形象。因此,这部电影拒绝支持以色列LGBT群体的保守趋势,该趋势旨在在“骄傲”的同音同音性政治逻辑中消除同性恋身份的污名在这部电影中,羞耻感成为阿加西和电影制作人海曼的避难所,一个团结和归属的地方。两者都抵制以色列主流的同性恋政治,拒绝接受这种规范逻辑所要求的性和国家认同。电影中的酷儿身份问题是围绕着羞耻的形成经历组织起来的,并基于与他人的关系。因此,这部电影实际上产生了一种奇怪的社交能力和羞耻感。
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From homonationalism to shame in the Israeli documentary Jonathan Agassi Saved My Life
ABSTRACT This article explores the role of the affective experience of shame in Tomer Heymann’s documentary Jonathan Agassi Saved My Life (2018) about internationally successful Israeli gay porn star Jonathan Agassi. It argues that by emphasizing shame as constitutive of Agassi’s queer identity, the film subverts the hypermasculine, Israeli, militarized image of his star persona. The film thus refuses to support the conservative trend of Israel’s LGBT community that aims to remove stigmas from gay identities within a logic of homonormative and homonational sexual politics of ‘pride.’ In this film, shame becomes a refuge, a site of solidarity and belonging for Agassi as well as for Heymann, the filmmaker. Both resist mainstream Israeli gay politics and refuse to adopt the sexual and national identity that this normative logic demands. The question of queer identity in the film is organized around the formative experience of shame and based on the relation to others. Thus, the film, in effect, produces a queer sociability and ethics in shame.
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来源期刊
Studies in Documentary Film
Studies in Documentary Film FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
16.70%
发文量
26
期刊介绍: Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.
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