{"title":"美国朋克与“政治正确”修辞","authors":"Michael S. Begnal","doi":"10.1080/03007766.2023.2184600","DOIUrl":null,"url":null,"abstract":"ABSTRACT In the Trump era, conservative and alt-right commentators have framed punk rock subculture as a right-wing phenomenon, emphasizing punk’s individualism and “politically incorrect” rebellion as its defining characteristics. Taking a cultural studies approach, this article examines the rhetoric of so-called “political correctness” in contemporary American discourses surrounding the intersection of punk and politics. Its primary argument is that asserting an anti-PC stance disguises an underlying conservative agenda or reinscribes dominant narratives and that punk’s lack of a stable or inherent meaning (the “floating” nature of its signification, as Dick Hebdige described it) leaves it open to such rhetorical uses.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"46 1","pages":"172 - 190"},"PeriodicalIF":1.3000,"publicationDate":"2023-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"American Punk and the Rhetoric of “Political Correctness”\",\"authors\":\"Michael S. Begnal\",\"doi\":\"10.1080/03007766.2023.2184600\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In the Trump era, conservative and alt-right commentators have framed punk rock subculture as a right-wing phenomenon, emphasizing punk’s individualism and “politically incorrect” rebellion as its defining characteristics. Taking a cultural studies approach, this article examines the rhetoric of so-called “political correctness” in contemporary American discourses surrounding the intersection of punk and politics. Its primary argument is that asserting an anti-PC stance disguises an underlying conservative agenda or reinscribes dominant narratives and that punk’s lack of a stable or inherent meaning (the “floating” nature of its signification, as Dick Hebdige described it) leaves it open to such rhetorical uses.\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"46 1\",\"pages\":\"172 - 190\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2023-03-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2023.2184600\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2023.2184600","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
American Punk and the Rhetoric of “Political Correctness”
ABSTRACT In the Trump era, conservative and alt-right commentators have framed punk rock subculture as a right-wing phenomenon, emphasizing punk’s individualism and “politically incorrect” rebellion as its defining characteristics. Taking a cultural studies approach, this article examines the rhetoric of so-called “political correctness” in contemporary American discourses surrounding the intersection of punk and politics. Its primary argument is that asserting an anti-PC stance disguises an underlying conservative agenda or reinscribes dominant narratives and that punk’s lack of a stable or inherent meaning (the “floating” nature of its signification, as Dick Hebdige described it) leaves it open to such rhetorical uses.
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.