{"title":"翻译事件:郭青蛙王的卑鄙游戏","authors":"Yu-Chieh Li","doi":"10.1080/17561310.2019.1690296","DOIUrl":null,"url":null,"abstract":"Focusing on Frog King Kwok’s performative work Hark Bun Lum in the 1970s and 1980s, this paper looks at the idea of the abject as an art form and an identarian performance. The abject in Kwok’s pra...","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2019.1690296","citationCount":"0","resultStr":"{\"title\":\"Translating Happenings: Frog King Kwok’s Abject Play\",\"authors\":\"Yu-Chieh Li\",\"doi\":\"10.1080/17561310.2019.1690296\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Focusing on Frog King Kwok’s performative work Hark Bun Lum in the 1970s and 1980s, this paper looks at the idea of the abject as an art form and an identarian performance. The abject in Kwok’s pra...\",\"PeriodicalId\":53629,\"journal\":{\"name\":\"Art in Translation\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17561310.2019.1690296\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art in Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17561310.2019.1690296\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2019.1690296","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文以20世纪70年代和80年代郭的表演作品《Hark Bun Lum》为研究对象,探讨了下贱作为一种艺术形式和同一性表演的思想。郭家里的卑鄙小人。。。
Translating Happenings: Frog King Kwok’s Abject Play
Focusing on Frog King Kwok’s performative work Hark Bun Lum in the 1970s and 1980s, this paper looks at the idea of the abject as an art form and an identarian performance. The abject in Kwok’s pra...