对资本主义的些许不安:拉杜·裘德的《世界上最幸福的女孩》和新罗马尼亚电影

Q1 Arts and Humanities Revista Transilvania Pub Date : 2022-04-01 DOI:10.51391/trva.2022.04.01

Andrei Gorzo, Veronica Lazăr

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引用次数: 2

摘要

本文讨论了所谓的新罗马尼亚电影（2005年后在国际艺术电影界引起的轰动）的美学和政治，简洁地评估了它在国家和国际电影背景下的新颖性。然后讨论拉杜·裘德的处女作《世界上最快乐的女孩》（2009），这是一部NRC电影，在某些方面是典型的，在另一些方面是非典型的。这篇论文强调了电影对广告和核心家庭的批判。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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A Slight Unease About Capitalism: Radu Jude’s The Happiest Girl in the World and the New Romanian Cinema

The article discusses the aesthetics and the politics of the so-called New Romanian Cinema (a major post-2005 sensation on the international art-cinema circuit), succintly assessing its novelty in both a national and an international cinematic context. It then proceeds to discuss Radu Jude’s debut feature, The Happiest Girl in the World (2009), as a NRC film, typical in some ways, atypical in others. The paper highlights the film’s critique of advertising and the nuclear family.

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