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引用次数: 0
摘要
与其他国家一样,南非越来越认识到,只要有适当的投资,文化与创意产业(CCIs)就能创造财富,而非主要是一个非市场补贴部门。然而,国家创新政策仍主要侧重于 STEM(科学、技术、工程和数学)技能组合和相关产品市场。本文分析了开普敦集群中的CCI如何通过结合数字技术、创意投入和劳动力多样性进行创新。根据在英国布莱顿开展的一项类似研究,确定了一个创新型 CCI 企业集群,这些企业在不同程度上具有 "融合性",即在生产中结合数字技术和创意设计。融合型企业在业务流程、产品和服务方面的创新水平较高。融合型企业也更有可能雇用人口结构多样化的员工,这为英国关于学科多样性的研究增添了来自南非融合型企业的启示。虽然融合创意与数字的公司雇用了更多的多元化人才,但对南非游戏和动画公司的定性分析表明,在发展中国家提高多元化程度面临着挑战。
Innovation and diversity in the digital cultural and creative industries.
The cultural and creative industries (CCIs) are increasingly being recognised in South Africa, as in other countries, as wealth-creating, given appropriate investment, rather than primarily a non-market subsidized sector. However, national innovation policy is still predominantly focused on STEM (science, technology, engineering and mathematics) skillsets and related product markets. This paper analyses how the CCIs in the Cape Town cluster innovate by combining digital technology, creative inputs, and workforce diversity. Based on a similar study conducted in Brighton, UK, a cluster of innovative CCI firms was identified that are to varying degrees "fused", defined as combining digital technology and creative design in production. Fused firms have higher levels of innovation in business processes, goods and services. Fused firms were also more likely to employ demographically diverse people, adding insights from the South African mix to the UK studies on disciplinary diversity. While fused creative-digital firms employ greater diversity, a qualitative analysis of SA gaming and animation firms nevertheless demonstrates the challenges for improving diversity in a developing country context.
期刊介绍:
Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ