“既不是男性也不是女性,只有Falete”:西班牙电视屏幕上的反抗和怪异

R. Platero, M. Rosón
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引用次数: 4

摘要

西班牙合唱歌手法列特最出名的是他频繁出现在电视节目中,这些节目的收视率创下了纪录,也因为他的外表而被取笑。面对关于性别和性的规范性问题,法莱特成功的电视事业不仅挑战了性别的二元概念,也挑战了我们对电视观众的看法。我们认为,像Falete在电视上居住的空间这样的阈值空间,对于揭示观众如何形成对电视明星的多元和复杂的认同形式是有用的。因此,在电视上观看法莱特对性别理论提出了挑战,这些理论将身份形成和认同的过程具体化。在这篇文章中,我们强调Falete运用酷儿的抵抗策略,如幽默、挪用和超可见性来抵抗社会命名和固定规范身份的冲动,同时也获得观众的关注和同情。
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‘Neither male or female, just Falete’: Resistance and queerness on Spanish TV screens
Spanish copla singer Falete is best known for his frequent presence on TV shows, which receive record ratings, and also for the jokes made regarding his appearance. Confronted with normative questions regarding gender and sexuality, Falete’s successful TV career challenges not only binary conceptions of gender but also how we think about TV spectatorship. We argue that liminal spaces, such as the one that Falete inhabits on TV, are useful for unveiling how audiences develop plural and complex forms of identifying with TV stars. Watching Falete on TV, therefore, challenges theories of gender that reify processes of identity formation and identification. In this article, we highlight Falete’s engagement with queer strategies of resistance, such as humour, reappropriation and hypervisibility to resist society’s impulse to name and fix normative identities, but also to gain the audience’s attention and sympathy.
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来源期刊
CiteScore
1.20
自引率
20.00%
发文量
14
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