美国法西斯主义与冯母亲之夜的历史背景

IF 0.1 3区 文学 0 LITERATURE JOURNAL OF MODERN LITERATURE Pub Date : 2022-12-22 DOI:10.2979/jmodelite.46.1.09
Susan A. Farrell
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引用次数: 0

摘要

摘要:库尔特·冯内古特的作品,除了《五号屠场》,经常被认为写得太简单,太异想天开,太依赖于特定类型的形式,不能被视为严肃的文学。他1962年的小说《母亲之夜》也不例外;即使是冯内古特的学者也倾向于强调这本书的荒谬性和人物的卡通性。但之前被忽视的历史背景揭示了冯内古特笔下的人物与活跃在20世纪30年代和40年代的特定现实生活中的美国法西斯主义者之间的相似之处。《母亲之夜》深入而有意义地讲述了美国历史,因为它揭露了美国恶毒的法西斯和白人至上主义软肋的真正危险,而这种软肋并没有随着1945年纳粹的战败而消失。
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American Fascism and the Historical Underpinnings of Kurt Vonnegut’s Mother Night
Abstract:Kurt Vonnegut’s work, with the exception of Slaughterhouse-Five, is often dismissed as too simply written, too whimsical, and too reliant on genre-specific forms to be considered serious literature. His 1962 novel Mother Night is no exception; even Vonnegut scholars tend to emphasize the book’s absurdity and the cartoonish nature of its characters. But previously neglected historical background reveals parallels between Vonnegut’s characters and specific real-life American fascists active in the 1930s and 40s. Mother Night engages deeply and meaningfully with American history as it exposes the bona fide danger of a virulently fascist and white supremacist underbelly in America that did not disappear with the defeat of the Nazis in 1945.
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