{"title":"翻译的监狱?caral模型，平移转弯","authors":"E. Apter","doi":"10.1353/dia.2019.0034","DOIUrl":null,"url":null,"abstract":"Abstract:Fredric Jameson’s classic work of 1972, The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism, stands out historically as an inquiry into what a model is in the comparative humanities of the postwar period. Though his particular focus in the book is on the linguistic turn (posed against Marxist formalism), his consideration of the model bears directly on “turn theory,” be it deconstructive, cultural, historicist, postcolonial, or cognitive.","PeriodicalId":46840,"journal":{"name":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/dia.2019.0034","citationCount":"2","resultStr":"{\"title\":\"The Prison-House of Translation? Carceral Models, Translational Turns\",\"authors\":\"E. Apter\",\"doi\":\"10.1353/dia.2019.0034\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Fredric Jameson’s classic work of 1972, The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism, stands out historically as an inquiry into what a model is in the comparative humanities of the postwar period. Though his particular focus in the book is on the linguistic turn (posed against Marxist formalism), his consideration of the model bears directly on “turn theory,” be it deconstructive, cultural, historicist, postcolonial, or cognitive.\",\"PeriodicalId\":46840,\"journal\":{\"name\":\"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/dia.2019.0034\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/dia.2019.0034\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DIACRITICS-A REVIEW OF CONTEMPORARY CRITICISM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/dia.2019.0034","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
The Prison-House of Translation? Carceral Models, Translational Turns
Abstract:Fredric Jameson’s classic work of 1972, The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism, stands out historically as an inquiry into what a model is in the comparative humanities of the postwar period. Though his particular focus in the book is on the linguistic turn (posed against Marxist formalism), his consideration of the model bears directly on “turn theory,” be it deconstructive, cultural, historicist, postcolonial, or cognitive.
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For over thirty years, diacritics has been an exceptional and influential forum for scholars writing on the problems of literary criticism. Each issue features articles in which contributors compare and analyze books on particular theoretical works and develop their own positions on the theses, methods, and theoretical implications of those works.
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