Náprstek博物馆中来自印度尼西亚的面具

Fiona Kerlogue
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引用次数: 0

摘要

来自印度尼西亚的抽象面具已经在许多场合的表演中被佩戴。在爪哇,蒙面戏既发生在宫廷,也发生在乡村。在巴厘岛,面具仍然是日常生活的一个特征,与寺庙表演和生命周期仪式有关。巴厘岛的面具涉及一系列类型。在加里曼丹,面具主要用于与水稻种植有关的仪式。Náprstek博物馆收藏的印度尼西亚面具都来自这些背景之一,大多数都是使用过的,后来被丢弃,而有些则是专门为旅游市场制作的。
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Masks from Indonesia in the Náprstek Museum
Abstract Masks from Indonesia have been worn in performances in a number of contexts. In Java, masked drama occurred in the royal courts as well as in the countryside. In Bali masks are still a feature of daily life in connection with performances in temples and at life cycle ceremonies. Balinese masks relate to a range of genres. In Kalimantan masks are mostly used in rituals connected with rice-growing. Indonesian masks in the Náprstek Museum collections all come from one of these contexts, most having been used and later discarded, while some were made especially for the tourist market.
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来源期刊
Annals of the Naprstek Museum
Annals of the Naprstek Museum Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
1
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