斯特拉文斯基新古典主义作品中的修辞互动与表现诠释

IF 1.6 1区 艺术学 0 MUSIC MUSIC THEORY SPECTRUM Pub Date : 2020-11-13 DOI:10.1093/mts/mtaa015
S. C. Schumann
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引用次数: 1

摘要

斯特拉文斯基新古典主义作品的一个显著特点是他同时使用了两个或多个主题。Robert S.Hatten(2014)将这一过程定义为托平,它涉及四个轴或“一个导入的主题及其潜在的对流层相互作用可能相对于其新环境进行标记的维度”,定义为兼容性、主导性、创造性和生产力的程度。在这篇文章中,我用这四个轴来展示如何将每个轴的分析见解结合起来,并将其改编为20世纪的音乐,从而对斯特拉文斯基的新古典主义作品进行细致入微的表达诠释。
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Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works
A striking feature of Stravinsky’s neoclassical works is his simultaneous use of two or more topics. Robert S. Hatten (2014) has defined this process as troping, which involves four axes or “dimensions along which an imported topic and its potential tropological interaction may be marked with respect to its new environment,” defined as degrees of compatibility, dominance, creativity, and productivity. In this article, I use these four axes to demonstrate how combining analytical insights from each axis and adapting them for twentieth-century music can lead to nuanced expressive interpretations of Stravinsky’s neoclassical works.
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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