说唱音乐中的流:混乱的来源和清晰的策略

IF 2.8 Q2 MECHANICS Flow (Cambridge, England) Pub Date : 2019-10-24 DOI:10.1093/oso/9780190670412.003.0001
Mitchell Ohriner
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引用次数: 0

摘要

艺术家、歌迷、评论家和学者以各种方式定义说唱音乐中的“流动”。争议包括flow的适当范围和构成它的音乐特征。本章首先考察了几个混淆的来源:说唱歌词中flow的许多含义,flow与纯音乐音乐剧的等价性,以及关于flow理论是否应该描述或规定表达实践的争论。然后,本章通过研究艺术家在歌词中喊出flow的例子,特别是当他们在诗歌中宣布flow已经“翻转”或改变时,来确定哪些特征构成flow。这一结果是对流动的定义,它不是由学者所说的流动产生的,而是由艺术家在翻转流动时所做的。
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Flow in Rap Music: Sources of Confusion and a Strategy for Clarity
Artists, fans, critics, and scholars define “flow” in rap music in a variety of ways. Among the disputes are the proper scope of flow and the musical features that comprise it. This chapter begins by examining several sources of confusion: the many meanings of flow in rap lyrics, the proffered equivalence of flow with the purely musical musical, and the debate as to whether a theory of flow ought to describe or prescribe expressive practice. The chapter then identifies which features constitute flow by examining instances where artists call out flow within their lyrics, specifically when they announce in the midst of a verse that the flow has “flipped” or changed. This result is a definition of flow that arises not from what scholars say flow is, but what artists do when they (flip the) flow.
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