{"title":"由卡洛斯·拉巴扬于1614年印刷的多才多艺的米格尔·纳瓦罗的自由壮丽","authors":"Javier Itúrbide Díaz","doi":"10.1387/ars-bilduma.20554","DOIUrl":null,"url":null,"abstract":"The book printed with polyphonic music in a workshop in Pamplona at the beginning of the 17th century, in the meantime other similar europeans workshops of equivalent expertise, constituted an exceptional event. Testimony of this relevant event, is that in Navarra some form of musical was dated from over half a century ago, however over two centuries had to pass for a similar printed work to come to fruition. The present article analyses the editorial, technical and commercial background surrounding the Liber Magnificarum.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"69-89"},"PeriodicalIF":0.1000,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El Liber Magnificarum del polifonista Miguel Navarro impreso por Carlos Labayen en 1614\",\"authors\":\"Javier Itúrbide Díaz\",\"doi\":\"10.1387/ars-bilduma.20554\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The book printed with polyphonic music in a workshop in Pamplona at the beginning of the 17th century, in the meantime other similar europeans workshops of equivalent expertise, constituted an exceptional event. Testimony of this relevant event, is that in Navarra some form of musical was dated from over half a century ago, however over two centuries had to pass for a similar printed work to come to fruition. The present article analyses the editorial, technical and commercial background surrounding the Liber Magnificarum.\",\"PeriodicalId\":40150,\"journal\":{\"name\":\"Ars Bilduma\",\"volume\":\"1 1\",\"pages\":\"69-89\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-05-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Bilduma\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1387/ars-bilduma.20554\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Bilduma","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1387/ars-bilduma.20554","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
El Liber Magnificarum del polifonista Miguel Navarro impreso por Carlos Labayen en 1614
The book printed with polyphonic music in a workshop in Pamplona at the beginning of the 17th century, in the meantime other similar europeans workshops of equivalent expertise, constituted an exceptional event. Testimony of this relevant event, is that in Navarra some form of musical was dated from over half a century ago, however over two centuries had to pass for a similar printed work to come to fruition. The present article analyses the editorial, technical and commercial background surrounding the Liber Magnificarum.