“他最好的部分隐藏在他博学的内心”

Q2 Arts and Humanities Early Modern Low Countries Pub Date : 2022-06-29 DOI:10.51750/emlc12170
June Schlueter
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引用次数: 0

摘要

本文提出,历史学家埃诺特·范·布切尔是一个文化中间人,悄悄地参与了全球化的跨国项目。年轻的范·布切尔的第一张专辑《amicorum》于1584年开始发行,讲述了一个智力不安分的年轻人,他患有抑郁症,甚至企图自杀,但在巴黎停留的一年里,他发现了对文物的研究。他的第二张专辑揭示了一个年长的、安定的、有目的的历史学家,他的专辑朋友是相当有声望的学者和艺术家。至少从他在巴黎的那一年起,范·布切尔就致力于消除空间和时间的界限,消除他思想上的智力限制。就像他研究的古物一样,范·布切尔的阿尔巴认可了一种共同的遗产,并向子孙后代提供了古人的智慧,以及他的专辑中许多贡献者的智慧。他的立场是一个人文主义者,在现代早期,这意味着古典语言、文学和道德戒律的复兴。
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‘His Best Part Lies Hidden in His Learned Heart’
This article proposes that the historian Aernout van Buchell was a cultural go-between, quietly engaged in a transnational project of globalization. The young van Buchell’s first album amicorum, begun in 1584, reveals an intellectually restless young man who was given to depression and even attempted suicide but who discovered the study of antiquities on his year-long stay in Paris. His second album reveals an older, settled, purposeful historian whose album friends were scholars and artists of considerable reputation. At least since his year in Paris, van Buchell was committed to obliterating the boundaries of space and time and removing the intellectual limits of his mind. As with the antiquities he studied, van Buchell’s alba endorse a common heritage and offer to posterity the wisdom of the ancients and that of the many contributors to his album. His stance was that of a humanist, which, in the early modern period, entailed a revival of classical languages, literature, and moral precepts.
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来源期刊
Early Modern Low Countries
Early Modern Low Countries Arts and Humanities-History
CiteScore
0.30
自引率
0.00%
发文量
15
审稿时长
26 weeks
期刊最新文献
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