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引用次数: 0
摘要
本文建立了virginia Despentes 2006年的回忆录兼宣言、King Kong thacimorie和Jack Halberstam的“影子女权主义”理论之间的对话。对哈伯斯塔姆来说,“不成功的女性身份可以提供意想不到的快乐……影子女权主义的形式不是成为、存在和行动,而是不为人知的、模糊的毁灭、不成为和侵犯模式”。我认为,在《金刚》中,Despentes接受了她“成为女人”的失败,她对强奸和强奸幻想的描述呈现出一种对掌握的拒绝,在这种拒绝中,主题可能会被解开,被取消。通过使用金刚的隐喻,Despentes将“不得体的女人”与人类主体的解体联系起来;在文本中,金刚是一种合成的半机械人生物,德彭特斯本人也认同他。因此,在《金刚》中,德彭特斯采用了一种模糊的、混合的定位,为所有未能成为女性或成为女性的生物打造了一个文本空间。
Unbecoming Woman: The Shadow Feminism of King Kong théorie by Virginie Despentes
This article establishes a dialogue between Virginie Despentes’s 2006 memoir-cum-manifesto, King Kong théorie and Jack Halberstam’s theorization of ‘shadow feminism’. For Halberstam, ‘not succeeding at womanhood can offer unexpected pleasures (…) Shadow feminisms take the form not of becoming, being, and doing but of shady, murky modes of undoing, un-becoming, and violating’. In King Kong théorie, I argue, Despentes embraces her failure to ‘become woman’, and her accounts of rape and rape fantasy present a refusal of mastery wherein the subject might unravel, come undone. Through her use of the King Kong metaphor, Despentes connects ‘unbecoming woman’ to an unravelling of the human subject; King Kong figures in the text as a composite, cyborgian creature, with whom Despentes herself identifies. In King Kong théorie, then, Despentes adopts a shadowy, hybrid positionality, forging a textual space for all creatures who fail to be or become woman.
期刊介绍:
Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.