爱上一辆经典的野马。使用、维护和真实性负担

IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Journal of Material Culture Pub Date : 2022-01-03 DOI:10.1177/13591835211068940
J-E Denis, C. Hummel, David Pontille
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引用次数: 0

摘要

本文调查了消费者在关注大众市场商品真实性的同时与大众市场商品建立的关系。根据对法国、瑞士和比利时经典野马车主社区长达六年的民族志研究,作者们表明,真实性不仅是一种象征性价值,也不是人们可以“投资”于社会区分机制的资源,它还可以表现为一种不断压重人与物之间关系的负担。事实上,在其整个使用和维护过程中,经典野马的材料完整性是其车主非常关心的问题,他们认为每一次故障或维护干预都是可能危及其汽车真实性的威胁。出于安全、舒适或健康的考虑,因为新法规的出台,或者因为一些原始零件不再可用,经典野马车主采用了异质元素,不断重塑他们的汽车和他们对真实性的担忧。作者利用Hennion的“依恋”概念来描述通过这些安排发展起来的亲密关系。这个概念特别有助于理解人与物之间的矛盾关系:当他们越来越依恋他们的经典野马时,车主们也越来越担心。此外,在这种日益增长的关系及其反复使用的物质干预中,汽车并没有保持被动。它逐渐显露自我,有时会让主人大吃一惊。因此,在这个过程中,真实性不仅“在制造中”,事物本身的轮廓也在演变,主人的知识也在演变。
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Getting attached to a classic Mustang. Use, maintenance and the burden of authenticity
This paper investigates the relationships consumers cultivate with mass-market commodities while caring for their authenticity. Drawing on a six-year ethnography of classic Mustang owners communities in France, Switzerland and Belgium, the authors show that, far from being a symbolic value only, or a resource into which people can “invest” in a mechanism of social distinction, authenticity can also appear as a burden that weighs constantly on the relationship between people and things. Indeed, throughout their uses and maintenance, the material integrity of classic Mustangs is of great concern for their owners, who apprehend every breakdown or maintenance intervention as threats that could jeopardize their car's authenticity. For the sake of security, comfort or health, because new regulations come up, or because some original parts are not available anymore, classic Mustangs owners compose with heterogeneous elements, constantly reshaping both their cars and their concerns for authenticity. The authors draw on Hennion's notion of “attachement” to describe the intimate relationship that grows through these arrangements. The notion particularly helps to grasp the ambivalence of the bonds between people and things: while they get more and more attached to their classic Mustang, owners are getting more and more worried. Moreover, throughout this growing relationship and the recurrent material interventions it draws on, the car does not remain passive. It progressively reveals itself, sometimes surprising its owner. Therefore, not only is authenticity “in the making” in this process, the contours of the thing itself evolve, as well as the knowledge of its owner.
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
30
期刊介绍: The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.
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