西扎在中国-中国在西扎。对“水上建筑”的观照与思考

Miguel José Viana Rodrigues Borges de Araújo
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引用次数: 0

摘要

摘要以下文章为阿尔瓦罗·西扎(Álvaro Siza)和卡洛斯·卡斯坦海拉(Carlos Castanheira)在中国的世联办公楼(2010-2014)在西扎作品中的题词。石连,也被称为“水上建筑”,是葡萄牙建筑师的一个不同寻常的委托,位于一个遥远的地点,在基本上未知的条件下设计。该建筑的偏远位置和私人用途,以及其壮观的形式和在媒体上的表现,塑造了公众对它的欢迎和批评。如果有的话,中国是如何影响该项目的?反过来,该项目又是如何影响中国的?在分析Siza和Castanheira的作品时,本文重新引用了Kenneth Frampton 1983年关于批判地区主义的著名文章,并对其做出了两种回应:1)对建筑的现场观察,以及对人类感官体验的回应;2) 由照片和笔记支持的批判性反思,指向批判性地区主义分析。总之,我认为《诗联》在地理、历史、环境和文化层面上都回应了当地的背景,并提供了与西扎其他现代主义作品相关的连续性声明。
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Siza in China – China in Siza. Observations and Reflections on “The Building on the Water”
ABSTRACT The following article contributes to the inscription of Álvaro Siza and Carlos Castanheira’s Shihlien office building in China (2010–2014) within Siza’s body of work. The Shihlien, also known as the “The Building on the Water,” was an unusual commission for the Portuguese architects, located on a distant site and designed under essentially unknown conditions. The public and critical reception of the building has been shaped by its remote location and private use, as well as by its spectacular form and representation in the media. How, if at all, has China influenced the project and how, reciprocally, has the project influenced China? In analysing Siza and Castanheira’s work, the present article re-employs Kenneth Frampton’s well-known essays from 1983 on Critical Regionalism and enacts two responses to them: 1) on-site observations of the building, together with a response to the experience of the site in terms of the human senses; 2) critical reflections, supported by photographs and notes, directed back at the Critical Regionalist analysis. In conclusion, I argue that the Shihlien both responds to the local context at the geographical, historical, environmental, cultural levels, and offers a statement of continuity in relation to the rest of Siza’s modernist body of works.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
26
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