{"title":"译者注:《爱的声音》或《为什么要再翻译罗兰·巴特?》","authors":"T. Mathews","doi":"10.3366/count.2023.0291","DOIUrl":null,"url":null,"abstract":"Timothy Mathews reflects upon the practice of translation and translating again, and on the specific qualities of a consistent and renewed encounter with the text of Barthes Fragments of a Lover's Discourse. The affective dimensions and the critical implications of this encounter are foregrounded. Following the Note, he proposes new translations of a selection of ‘figures’ of the discourse of love as originally proposed by Roland Barthes in the work Fragments d’un discours amoureux (1977).","PeriodicalId":42177,"journal":{"name":"CounterText-A Journal for the Study of the Post-Literary","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Translator's Note: On the Voices of Love or, Why Translate Roland Barthes Again?\",\"authors\":\"T. Mathews\",\"doi\":\"10.3366/count.2023.0291\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Timothy Mathews reflects upon the practice of translation and translating again, and on the specific qualities of a consistent and renewed encounter with the text of Barthes Fragments of a Lover's Discourse. The affective dimensions and the critical implications of this encounter are foregrounded. Following the Note, he proposes new translations of a selection of ‘figures’ of the discourse of love as originally proposed by Roland Barthes in the work Fragments d’un discours amoureux (1977).\",\"PeriodicalId\":42177,\"journal\":{\"name\":\"CounterText-A Journal for the Study of the Post-Literary\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CounterText-A Journal for the Study of the Post-Literary\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/count.2023.0291\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CounterText-A Journal for the Study of the Post-Literary","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/count.2023.0291","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
蒂莫西·马修斯反思了翻译和再翻译的实践，以及与巴特的《情人话语片段》文本一致和重新相遇的具体品质。这一遭遇的情感维度和关键含义是前景。在注释之后，他提出了对罗兰·巴特(Roland Barthes)在1977年的作品《爱的话语片段》(Fragments d’un diss amoureux)中最初提出的爱的话语的“人物”选择的新翻译。
A Translator's Note: On the Voices of Love or, Why Translate Roland Barthes Again?
Timothy Mathews reflects upon the practice of translation and translating again, and on the specific qualities of a consistent and renewed encounter with the text of Barthes Fragments of a Lover's Discourse. The affective dimensions and the critical implications of this encounter are foregrounded. Following the Note, he proposes new translations of a selection of ‘figures’ of the discourse of love as originally proposed by Roland Barthes in the work Fragments d’un discours amoureux (1977).
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