巴特和巴特之后的日记:从懒散的写作到暴露的写作

IF 0.2 4区 文学 0 LITERATURE, ROMANCE Nottingham French Studies Pub Date : 2022-07-01 DOI:10.3366/nfs.2022.0347
A. Matei
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引用次数: 0

摘要

尽管巴特一生中从未出版过日记,但他的作品具有一个主观维度,在这个维度上,我们会遇到反思日记甚至接近日记写作本身的写作实践。巴特哀悼母亲的去世和“désœuvrement”(让-吕克·南希饰)的经历使他追求一种永远不会重见天日的合成,即Vita nova的项目。巴特之后从事日记写作的作家会接受合成的想法吗?在本文的最后一部分,与埃里克·谢维亚尔的《自传》进行简短的比较将表明,文学物质文化所经历的转变已经推翻了《书》和《画册》之间的综合观念。
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Le Journal avec et après Barthes: de l’écriture désœuvrée à l’écriture exposée
Although Barthes never published a diary in his lifetime, his work possesses a subjective dimension in which we encounter writing practices that reflect on the diary or even approach diary writing itself. Barthes’s experience of mourning the loss of his mother and of a “désœuvrement” (Jean-Luc Nancy) led him to pursue a synthesis that would never see the light of day, the project of Vita nova. Would the idea of a synthesis be taken up by writers who came to diary writing after Barthes? A brief comparison with Éric Chevillard’s l’Autofictif will show, in the last part of this article, that the transformations that the material culture of literature has undergone have overturned the Barthesian idea of the synthesis between the Book and the Album.
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来源期刊
Nottingham French Studies
Nottingham French Studies LITERATURE, ROMANCE-
CiteScore
0.20
自引率
0.00%
发文量
20
期刊介绍: Nottingham French Studies is an externally-refereed academic journal which, from Volume 43, 2004, appears three times annually, with at least one special and one general issue each year. Its Editorial Board is drawn from members of the Department of French and Francophone Studies of the University of Nottingham, with the support of an International Advisory Board.
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