{"title":"发育、认知和智力残疾的人是艺术家，而不是宠物项目","authors":"Riki Entz","doi":"10.3138/ctr.190.007","DOIUrl":null,"url":null,"abstract":"Abstract:In this autoethnographic piece, Riki Entz writes from their lived experience of Disability in the Canadian theatre industry and clearly outlines the ableism they have experienced as a multiply Disabled person. By providing honest examples of ableism, while also searching for ways that they can fit into this industry, Entz offers grounds for reflecting on ableism and the arts while remaining hopeful for the future.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Developmentally, Cognitively, and Intellectually Disabled People Are Artists, Not Pet Projects\",\"authors\":\"Riki Entz\",\"doi\":\"10.3138/ctr.190.007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In this autoethnographic piece, Riki Entz writes from their lived experience of Disability in the Canadian theatre industry and clearly outlines the ableism they have experienced as a multiply Disabled person. By providing honest examples of ableism, while also searching for ways that they can fit into this industry, Entz offers grounds for reflecting on ableism and the arts while remaining hopeful for the future.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.190.007\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.190.007","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"THEATER","Score":null,"Total":0}
Developmentally, Cognitively, and Intellectually Disabled People Are Artists, Not Pet Projects
Abstract:In this autoethnographic piece, Riki Entz writes from their lived experience of Disability in the Canadian theatre industry and clearly outlines the ableism they have experienced as a multiply Disabled person. By providing honest examples of ableism, while also searching for ways that they can fit into this industry, Entz offers grounds for reflecting on ableism and the arts while remaining hopeful for the future.
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