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引用次数: 0
摘要
虽然规模经济在艺术领域的研究相对较多,但范围经济受到的关注较少。然而,近期自由职业和技术连通性的发展趋势使得范围经济在应对艺术家主导的孵化器所面临的结构性挑战方面显得尤为及时。本文从联合生产的经济学意义和风险共担的金融学意义上,为采用范围经济的合作战略提供了一个概念框架。该框架通过对两个美国组织的案例研究,对特许经营、联盟和资源共享组织结构进行了区分:这两个组织分别是 ArtBuilt 和 REC(Resources for Every Creator),它们被置于美国和欧洲合作组织战略的大背景下。合作网络(准特许经营、联盟或资源共享网络)的拟议战略还借鉴了创意产业空间集聚的文献。该框架引出了一些更具推测性的想法,如通过基金会的信贷支持实现 "资产负债表慈善事业",以及可在基金会、资助者、艺术家驻留项目、甚至从事再保险的营利性公司等一系列组织中试行的新型投资信托。本文为艺术组织创造性地参与能力建设提供了管理工具和策略。
Economies of scope in artists' incubator projects.
Although economies of scale are relatively well studied in the arts, economies of scope have received less attention. Yet recent trends toward freelancing and technological connectivity make scope economies especially timely in addressing structural challenges to artist-led incubators. This paper offers a conceptual framework for cooperative strategies that employ economies of scope both in the economic sense of joint production and in the financial sense of risk pooling. This framework distinguishes franchise, federation, and resource-sharing organizational structures as developed through case studies of two US-based organizations: ArtBuilt and REC (Resources for Every Creator), placed in a larger context of cooperative organizational strategy in the USA and Europe. The proposed strategies of cooperative networks (quasi-franchises, federations, or resource-sharing networks) also draw on a literature of spatial agglomeration in creative industries. The framework leads to more speculative ideas of "balance-sheet philanthropy" through credit backstopping by foundations, and of novel investment trusts that can be piloted across a range organizations including foundations, grant-makers, artist residency programs, and even for-profit companies engaged in reinsurance. The paper contributes managerial tools and strategies for the creative engagement of capacity building in arts organizations.
期刊介绍:
Cultural economics is the application of economic analysis to all of the creative and performing arts, the heritage and cultural industries, whether publicly or privately owned. It is concerned with the economic organization of the cultural sector and with the behavior of producers, consumers and governments in that sector. The subject includes a range of approaches, mainstream and radical, neoclassical, welfare economics, public policy and institutional economics. The editors and editorial board of the Journal of Cultural Economics seek to attract the attention of the economics profession to this branch of economics, as well as those in related disciplines and arts practitioners with an interest in economic issues. The Journal of Cultural Economics publishes original papers that deal with the theoretical development of cultural economics as a subject, the application of economic analysis and econometrics to the field of culture, and with the economic aspects of cultural policy. Besides full-length papers, short papers and book reviews are also published.Officially cited as: J Cult Econ