无定向欲望与安吉拉·卡特的交叉性:民族主义、受虐狂和对“他者的他者性”的追寻

IF 0.2 3区 文学 0 LITERATURE Contemporary Womens Writing Pub Date : 2022-07-01 DOI:10.1093/cww/vpac024
Nozomi Uematsu, A. Barai
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引用次数: 0

摘要

本文考察了卡特在日本期间和之后的写作中,通过民族主义小说《桃太郎》中的意象,以及狮子和独角兽的形象,描绘了种族、性别和民族主义的交叉点。通过分析《Z小姐》和《烟花》,我们认为卡特对奇幻生物的描绘揭示了一种对种族和性别之间复杂权力联系的原始交叉意识,特别是与白人和受虐狂的观念有关。与同时代的河野太子一样,卡特也批评了男性的受虐行为,并将一种女性受虐行为理论化。卡特逐渐意识到日本文化中的种族政治(白人)和受虐狂,并试图抓住其中的“他者的他者本质”。在此过程中,她将性别和种族的交叉权力关系概念化。
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Dis-Oriented Desires and Angela Carter’s Intersectionality: Nationalism, Masochism, and the Search for “the Other’s Otherness”
This article examines Carter’s portrayal of the intersections of race, gender, and nationalism through imagery drawn from the nationalist tales Momotaro (Peach Boy) and through figuration of the lion and the unicorn in her writing during and after staying in Japan. Analyzing Miss Z and Fireworks, we argue that Carter’s depictions of fantastical creatures reveal a proto-intersectional awareness of complex power interconnections between race and gender, specifically in relation to ideas of whiteness and masochism. Like her contemporary Taeko Kono, Carter critiques men’s masochism and theorizes a type of feminine masochism. Carter grows in awareness of both racial politics (whiteness) and masochism in Japanese culture and attempts to grasp the “essence of the other’s otherness” therein. In doing so, she conceptualizes intersectional power relations of gender and race.
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