{"title":"澳大利亚酷儿纪录片的智能手机拍摄","authors":"P. Kelly","doi":"10.1080/17503280.2022.2048233","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article draws on my experience creating the film What's With Your Nails? (2018), a film about queerness, normality, slowness, and painting fingernails, and which embraces the affordances of smartphone filmmaking for queer documentary production in Australia. Documentary practices in this field are notable for a ‘privileging of authenticity’ through a subjective perspective, and there has been a history of queer filmmakers utilising accessible production technologies. The utilisation of hyper-accessible smartphone technologies presents an opportunity for queer activist filmmakers to make work that alters what we think of empowerment and self-identity by being different to mainstream media. In this article, I observe these concepts at play in notable historical contributions to queer Australian documentary, before discussing the creation of my own film, which was created in response to mainstream representations during and after the successful Australian Marriage Equality Postal Survey in 2017. As such, I argue that mobile media devices are ideal, hyper-accessible tools that can be used to interrogate subjectivities, generate material unlike that seen in mainstream media, and contribute to a growing history of queer documentary in Australia that changes the way we think about representation.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"16 1","pages":"140 - 155"},"PeriodicalIF":0.5000,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Smartphone filmmaking for queer Australian documentary\",\"authors\":\"P. Kelly\",\"doi\":\"10.1080/17503280.2022.2048233\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article draws on my experience creating the film What's With Your Nails? (2018), a film about queerness, normality, slowness, and painting fingernails, and which embraces the affordances of smartphone filmmaking for queer documentary production in Australia. Documentary practices in this field are notable for a ‘privileging of authenticity’ through a subjective perspective, and there has been a history of queer filmmakers utilising accessible production technologies. The utilisation of hyper-accessible smartphone technologies presents an opportunity for queer activist filmmakers to make work that alters what we think of empowerment and self-identity by being different to mainstream media. In this article, I observe these concepts at play in notable historical contributions to queer Australian documentary, before discussing the creation of my own film, which was created in response to mainstream representations during and after the successful Australian Marriage Equality Postal Survey in 2017. As such, I argue that mobile media devices are ideal, hyper-accessible tools that can be used to interrogate subjectivities, generate material unlike that seen in mainstream media, and contribute to a growing history of queer documentary in Australia that changes the way we think about representation.\",\"PeriodicalId\":43545,\"journal\":{\"name\":\"Studies in Documentary Film\",\"volume\":\"16 1\",\"pages\":\"140 - 155\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-03-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Documentary Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503280.2022.2048233\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Documentary Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503280.2022.2048233","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Smartphone filmmaking for queer Australian documentary
ABSTRACT This article draws on my experience creating the film What's With Your Nails? (2018), a film about queerness, normality, slowness, and painting fingernails, and which embraces the affordances of smartphone filmmaking for queer documentary production in Australia. Documentary practices in this field are notable for a ‘privileging of authenticity’ through a subjective perspective, and there has been a history of queer filmmakers utilising accessible production technologies. The utilisation of hyper-accessible smartphone technologies presents an opportunity for queer activist filmmakers to make work that alters what we think of empowerment and self-identity by being different to mainstream media. In this article, I observe these concepts at play in notable historical contributions to queer Australian documentary, before discussing the creation of my own film, which was created in response to mainstream representations during and after the successful Australian Marriage Equality Postal Survey in 2017. As such, I argue that mobile media devices are ideal, hyper-accessible tools that can be used to interrogate subjectivities, generate material unlike that seen in mainstream media, and contribute to a growing history of queer documentary in Australia that changes the way we think about representation.
期刊介绍:
Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.