中世纪挪威的叶状头颅

Kjartan Hauglid
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摘要

叶状头是挪威板式教堂建筑装饰中常见的主题。它通常用于门口,野兽的头吐出树叶或吐出带有藤蔓的茎。挪威十一世纪和十二世纪木制教堂装饰的艺术风格清楚地展示了维京艺术的灵感。这一遗产使人们相信基督教继承了异教徒的叶状头。这种理解主要是因为需要对这个主题进行更令人信服的解释。然而,这也是由于树木在古挪威社会中的崇高地位,尤其是在挪威神话中构成世界中心的大树Yggdrasill。本文追溯了挪威建筑雕塑主题的来源,以及挪威学术传统中的“绿人”概念。维京艺术中没有绿人,12世纪初,这个主题首次出现在斯堪的纳维亚的罗马式建筑石雕中。
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Foliate Head in Medieval Norway
The foliate head is a common motif in the architectural decoration of Norwegian stave churches. It is commonly used in doorways, where beast’s heads are disgorging foliage or are spewing stems with vine. The artistic style of wooden church decoration in Norway from the eleventh and twelfth centuries clearly shows inspiration from Viking art. This legacy has led to the belief that Christianity inherited the foliate head from a heathen past. This understanding is mainly due to a need for more convincing explanations for this motif. However, it is also due to the high status of trees in Old Norse society, especially Yggdrasill, the great tree that in Norse mythology constituted the center of the world. The article traces the sources for the motif in Norwegian architectural sculpture and the notion of the Green Man in the scholarly tradition in Norway. The Green Man was absent in Viking art, and the motif first appearedin Scandinavia in Romanesque architectural stone sculpture in the early twelfth century.
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