反讽、名字和语言阻力:布拉瓦约的《我们需要新名字作为一个世界的叙事》

Alessandra Di Pietro
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引用次数: 0

摘要

当代非洲文学作品经常描绘当今全球移民模式中的地理和文化错位。NoViolet Bulawayo的《我们需要新名字》(2013)符合这一框架,是一部女性成长小说,讲述了Darling的故事,从这个角色在2000年后津巴布韦的童年到作为移民在美利坚合众国的疏远经历。小说的独特之处在于布拉瓦约的语言选择,特别是讽刺的使用和(重新)命名的实践,这些都代表了不归属感和政治幻灭感,这些都定义了人物的地理文化位移。本文以文学规范理论(Cheah 2016)为理论框架,进一步分析了这些文学手段作为工具的使用,通过这些工具,叙事打开了另一个表征世界。从这个意义上说,本文认为布拉瓦约的《我们需要新名字》可以被视为一部创造世界的叙事,讲述了文化和语言对津巴布韦社会政治局势破坏的抵抗。
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Irony, Names and Linguistic Resistance: NoViolet Bulawayo’s We Need New Names as a World-Making Narrative
Contemporary works of African literature often engage in the depiction of a geographical and cultural dislocation inscribed in today’s pattern of global migration. NoViolet Bulawayo’s We Need New Names (2013) fits within this framework as a female coming-of-age novel that follows the story of Darling, from the character’s childhood in post-2000 Zimbabwe to the alienating experience of life as a migrant in the United States of America. The peculiarity of the novel lays in Bulawayo’s linguistic choices, in particular the use of irony and the practice of (re)naming, which come to represent the feelings of un-belonging and political disillusionment that define the characters’ geo-cultural displacement. Using the normative theory of literature (Cheah 2016) as a theoretical framework, this paper further analyses the use of such literary devices as tools through which the narrative opens up to alternative worlds of representation. In this sense, this paper argues that Bulawayo’s We Need New Names can be considered as a world-making narrative of cultural and linguistic resistance against the disruption of Zimbabwe’s socio-political situation.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
68
审稿时长
5 weeks
期刊介绍: Altre Modernità (AM), a six-monthly journal, ISSN 2035-7680, features articles, discussions, interviews, translations, creative works, reviews, and bibliographical information on the cultural production of Modernity. The themes and topics tackled in each issue will take Altre Modernità to areas of the world traditionally perceived as geographically and culturally disparate, aiming at capturing the newness of the cultural paradigms that are taking shape in several places today in order to isolate, subvert, weaken or transcend the monologic discourse of mainstream culture. AM is dedicated to the study of the peripheries of the world and the peripheries of societies that act as vibrant centres of cultural production, with special attention paid to those aspects of his cultural production that offer alternative models, suggestions and tools for overcoming it. The literary discourse still represents - for Altre Modernità - the point of departure and the unavoidable hub collating explorations in contiguous cultural and artistic fields. Altre Modernità is an Open Access journal devoted to the promotion of competent and definitive contributions to literary and cultural studies knowledge. The journal welcomes also works that fall into various disciplines: cultural studies, religion, history, literature, liberal arts, law, political science, computer science and economics that deal with contemporary issues, as listed in AM CfPs. Altre Modernità uses a policy of double-blind blind review (in which both the reviewer and author identities are concealed from the reviewers, and vice versa, throughout the review process) by at least two consultants to evaluate articles accepted for consideration. Altre Modernità promotes special issues on particular topics of special relevance in the cultural debates. Altre Modernità occasionally has opportunities for Guest Editors for special issues of the journal. Altre Modernità publishes at least 2 original issues in a calendar year.
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