Experiments with Truth: Narrative Nonfiction in South Africa1

In this reflection on his recently published book, Hedley Twidle explores historical and theoretical approaches to the question of non-fiction in South African literature. Experiments with Truth reads the country's transition as refracted through an array of documentary modes that are simultaneously refashioned and blurred into each other: long-form analytic journalism and reportage; experiments in oral history, microhistory and archival reconstruction; life-writing, memoir and the personal essay. Its case studies trace the strange and ethically complex process by which actual people, places and events are shuffled, patterned and plotted in long-form prose narrative. While holding in mind the imperatives of testimony and witness so important to the struggle for liberation and the Truth and Reconciliation Commission, the book is increasingly drawn to a post-TRC aesthetic: to works that engage with difficult, inappropriate or unusable elements of the past, and with the unfinished project of social reconstruction in South Africa. It places southern African materials in a global context, and in dialogue with other important nonfictional traditions that have emerged at moments of social rupture and transition.