{"title":"先锋派与佛朗哥主义的传统与合作(1940 - 1960)","authors":"J. L. Marzo","doi":"10.1080/17561310.2020.1831207","DOIUrl":null,"url":null,"abstract":"Abstract The 1950s saw an intense collaboration process take place in Spain between the totalitarian government of General Franco and a significant part of the avant-garde artistic scene. Although there are a number of causes for this complex process, it is worth highlighting the role given to a supposed “anti-modern” myth of Spanish culture—symbolized in the Baroque and spiritual transcendence—which was seen as the glue that would bind and unify artistic and political action to benefit all those involved.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"12 1","pages":"150 - 184"},"PeriodicalIF":0.0000,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17561310.2020.1831207","citationCount":"0","resultStr":"{\"title\":\"Tradition and Collaboration between the Avant-Garde and Francoism (1940 to 1960)\",\"authors\":\"J. L. Marzo\",\"doi\":\"10.1080/17561310.2020.1831207\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The 1950s saw an intense collaboration process take place in Spain between the totalitarian government of General Franco and a significant part of the avant-garde artistic scene. Although there are a number of causes for this complex process, it is worth highlighting the role given to a supposed “anti-modern” myth of Spanish culture—symbolized in the Baroque and spiritual transcendence—which was seen as the glue that would bind and unify artistic and political action to benefit all those involved.\",\"PeriodicalId\":53629,\"journal\":{\"name\":\"Art in Translation\",\"volume\":\"12 1\",\"pages\":\"150 - 184\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-04-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17561310.2020.1831207\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art in Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17561310.2020.1831207\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2020.1831207","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Tradition and Collaboration between the Avant-Garde and Francoism (1940 to 1960)
Abstract The 1950s saw an intense collaboration process take place in Spain between the totalitarian government of General Franco and a significant part of the avant-garde artistic scene. Although there are a number of causes for this complex process, it is worth highlighting the role given to a supposed “anti-modern” myth of Spanish culture—symbolized in the Baroque and spiritual transcendence—which was seen as the glue that would bind and unify artistic and political action to benefit all those involved.
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