“我希望我能和你在一起”:想象2只蜥蜴的数字温柔

IF 0.3 0 ART Visual Resources Pub Date : 2020-07-02 DOI:10.1080/01973762.2021.1969209
H. Nelson
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引用次数: 0

摘要

2019冠状病毒病大流行深刻地重塑了我们以身体和物理方式进行联系的能力,促使我们退回到数字时代。艺术家梅里姆·本纳尼和电影制作人奥里安·巴尔基在他们的第二季《蜥蜴》中为这种逃离提供了一个容器,该剧在疫情早期分八集播出。这部动画系列以动物代理人居住的纽约为背景,展示了同名蜥蜴——由本纳尼和巴基配音——在纽约随后的隔离中度过焦虑、无聊和宣泄,充满了Zoom的生日、屋顶音乐会和对种族不平等的抗议。该系列力求通过其固有的混杂性提供一种数字温柔感。蜥蜴,融合了人类、动物和机器的电子化身,避开了二元和限制,呈现了一种建立联系和探索流行病中生活情感轮廓的新方式。2 Lizards原生于Instagram,与广泛的合作者、朋友和家人一起创作,享受线上和线下之间的分离,以及两者之间的解放潜力。Bennani和Barki提出,当身体仍然是偶然和脆弱的时候,通过互联网,有了交流、触摸、存在和关怀的新可能性。他们认为,作为动物,就是从根本上重新想象构成人类经验的东西。
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“I Wish I Could Have Been With You”: Imagining Digital Tenderness in 2 Lizards
The COVID-19 pandemic has profoundly reframed our ability to connect in bodily, physical ways, prompting a retreat to the digital. Artist Meriem Bennani and filmmaker Orian Barki offer a vessel for this escape in their series 2 Lizards, released in eight episodes in the early stages of the pandemic. Set in a New York populated by animal surrogates, the animated series showcases the eponymous lizards – voiced by Bennani and Barki – navigating the anxiety, boredom, and catharsis of the ensuing quarantine in New York, replete with Zoom birthdays, rooftop concerts, and protests against racial inequity. The series strives to provide a sense of digital tenderness through its inherent hybridity. The lizards, cyborg avatars melding the human, the animal, and the machine, elude binaries and strictures, presenting a new way of forging connection and probing the emotional contours of life in the pandemic. Native to Instagram and created with a wide circle of collaborators, friends, and family, 2 Lizards relishes the elision between online and offline and the liberatory potential of the in-between. Bennani and Barki propose that through the Internet, there are new possibilities for communion, touch, presence, and care when bodies remain contingent and vulnerable. To be animals, they suggest, is to radically reimagine what constitutes the stuff of human experience.
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来源期刊
CiteScore
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发文量
12
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