瓦伦·马蓬德拉的观念艺术

IF 0.3 3区 艺术学 0 ART Third Text Pub Date : 2022-03-04 DOI:10.1080/09528822.2022.2042104
Barnabas Ticha Muvhuti
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引用次数: 0

摘要

瓦伦·马蓬德拉(Wallen Mapondera)的《帕胡卡马》(Pahukama)是一件承载津巴布韦2017年11月不流血政变记忆的艺术品。这位艺术家将其作为记录该国街头日常交易的门户。这篇文章检视了这个现成品艺术作品的独特品质,在津巴布韦的背景下,一代年轻艺术家正在用现成的物品创作艺术。这篇文章对Pahukama进行了质疑,Pahukama这个概念反映了11月18日令人畏惧的军队民兵与群众之间的利益联姻。平常的一天,通勤者穿梭在马路上,无家可归的人住在马路上,街头小贩和非法外汇交易者在马路上达成交易。本文探讨了作为视觉文本的艺术作品所隐藏的多重意义。虽然这部作品是概念性的,但由于罗伯特·穆加贝的声望,有些人会忍不住从字面上解读它。最后,建议将艺术品在津巴布韦境内展出。
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Wallen Mapondera’s Conceptual Art
Abstract Wallen Mapondera’s Pahukama is an artwork carrying memories of Zimbabwe’s November 2017 bloodless coup d’etat. The artist employs it as a gateway to documenting the everyday transactions taking place on the country’s streets. The article examines this readymade artwork’s unique qualities in the context of Zimbabwe where a generation of young artists is making art out of found objects. The article interrogates Pahukama, a concept capturing the marriage of convenience struck between the feared army militias and the masses on November 18. On a normal day, commuters crisscross the road, the homeless live on it, street vendors and the illicit forex traders strike deals on it. The article explores the multiple meanings hidden in the artwork as a visual text. While the work is conceptual, some would be tempted to read it literally because of Robert Mugabe’s stature. In conclusion, a suggestion is made for the artwork to be exhibited within Zimbabwe.
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来源期刊
Third Text
Third Text ART-
CiteScore
0.40
自引率
0.00%
发文量
39
期刊介绍: Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.
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