在巴西圣保罗的西非木制雕塑文化传记

IF 0.3 0 RELIGION Journal of Africana Religions Pub Date : 2023-01-01 DOI:10.5325/jafrireli.11.1.0119
Patrícia Rodrigues de Souza, Justin Sands
{"title":"在巴西圣保罗的西非木制雕塑文化传记","authors":"Patrícia Rodrigues de Souza, Justin Sands","doi":"10.5325/jafrireli.11.1.0119","DOIUrl":null,"url":null,"abstract":"Abstract:This article is a combined effort of an author from Brazil and an author in South Africa to identify and comprehend the trajectories African wooden sculptures go through in their material cultural biographies. Wooden sculpting has always been part of African traditions. Africa's many artisans and markets provided and still provide a great number of wooden sculptures, which are now in several parts of the world, especially among former colonizers and in the diaspora. During their \"lives,\" such wooden sculptures acquired different statuses, such as commodities like souvenirs or valued art works, but also as priceless historical documents, objets d'art, and religiously consecrated entities. The value and meaning of wooden sculptures are always set in resonance with historical periods and local cultural moralities. Therefore, the study of such cultural biographies reveals aspects not only about the pieces themselves but also about their environment.","PeriodicalId":41877,"journal":{"name":"Journal of Africana Religions","volume":"11 1","pages":"119 - 143"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Cultural Biographies of West African Wooden Sculptures in Sao Paulo, Brazil\",\"authors\":\"Patrícia Rodrigues de Souza, Justin Sands\",\"doi\":\"10.5325/jafrireli.11.1.0119\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article is a combined effort of an author from Brazil and an author in South Africa to identify and comprehend the trajectories African wooden sculptures go through in their material cultural biographies. Wooden sculpting has always been part of African traditions. Africa's many artisans and markets provided and still provide a great number of wooden sculptures, which are now in several parts of the world, especially among former colonizers and in the diaspora. During their \\\"lives,\\\" such wooden sculptures acquired different statuses, such as commodities like souvenirs or valued art works, but also as priceless historical documents, objets d'art, and religiously consecrated entities. The value and meaning of wooden sculptures are always set in resonance with historical periods and local cultural moralities. Therefore, the study of such cultural biographies reveals aspects not only about the pieces themselves but also about their environment.\",\"PeriodicalId\":41877,\"journal\":{\"name\":\"Journal of Africana Religions\",\"volume\":\"11 1\",\"pages\":\"119 - 143\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Africana Religions\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/jafrireli.11.1.0119\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Africana Religions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jafrireli.11.1.0119","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0

摘要

摘要:本文是巴西和南非两位作者的共同努力,旨在识别和理解非洲木雕在其物质文化传记中所经历的轨迹。木雕一直是非洲传统的一部分。非洲的许多工匠和市场提供了大量的木制雕塑,现在仍在提供,这些雕塑现在在世界上的几个地方,特别是在前殖民者和散居海外的人中间。在他们的“生命”中,这些木制雕塑获得了不同的地位,例如纪念品或珍贵的艺术品等商品,但也可以作为无价的历史文献,艺术品和宗教神圣的实体。木雕的价值和意义总是与历史时期和当地文化道德产生共鸣。因此,对这些文化传记的研究不仅揭示了作品本身的方面,而且还揭示了它们所处的环境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The Cultural Biographies of West African Wooden Sculptures in Sao Paulo, Brazil
Abstract:This article is a combined effort of an author from Brazil and an author in South Africa to identify and comprehend the trajectories African wooden sculptures go through in their material cultural biographies. Wooden sculpting has always been part of African traditions. Africa's many artisans and markets provided and still provide a great number of wooden sculptures, which are now in several parts of the world, especially among former colonizers and in the diaspora. During their "lives," such wooden sculptures acquired different statuses, such as commodities like souvenirs or valued art works, but also as priceless historical documents, objets d'art, and religiously consecrated entities. The value and meaning of wooden sculptures are always set in resonance with historical periods and local cultural moralities. Therefore, the study of such cultural biographies reveals aspects not only about the pieces themselves but also about their environment.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.70
自引率
0.00%
发文量
17
期刊介绍: The Journal of Africana Religions publishes critical scholarship on Africana religions, including the religious traditions of African and African Diasporic peoples as well as religious traditions influenced by the diverse cultural heritage of Africa. An interdisciplinary journal encompassing history, anthropology, Africana studies, gender studies, ethnic studies, religious studies, and other allied disciplines, the Journal of Africana Religions embraces a variety of humanistic and social scientific methodologies in understanding the social, political, and cultural meanings and functions of Africana religions.
期刊最新文献
Denver’s Quest: Exploring Horror and Complex Subjectivity in Beloved “There’s A Day Coming”: The Origin, Reception, and Conception of the Catastrophic Apocalypse among Black Captives Performing Power in Nigeria: Identity, Politics, and Pentecostalism Ogun in the Black Atlantic: Family History and Cross-Cultural Religious Exchange in Bahia, c. 1813–1970 Religious Entanglements: Central African Pentecostalism and the Creation of Cultural Knowledge and the Making of the Luba Katanga
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1